The Independent

A REAL BARN FIND

Megan Townsend looks around a home in the Lithuanian wilderness that is a modern take on a timber farmhouse

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This lakeside retreat, in northern Lithuania, can be completely transforme­d from a gable barn into a lightfille­d haven using hefty wooden shutters, helping it blend in with the areas farmhouses and natural woodland.

The home, built for a family of four, is inspired by emblematic rural properties; the main building faces a small outhouse on the edge of the lake, set amid a no-frills garden. The outhouse takes on both the traditiona­l function of stables and storing fire wood for the winter months, and a modern sauna.

Built in a vernacular style, similar to local architectu­re that relies heavily on the abundance of timber, the structure features a slanted barn-like roof and a straightfo­rward rectangula­r shape. Timber cladding covers

the building to complement the forest surroundin­gs.

“The project draws its character from a traditiona­l farmstead in terms of scale, arrangemen­t and materialit­y,” architect Kazimieras Kasteckas told Dezeen.

The build is intended to be used as a holiday home in the summer months, giving its signature wooden shutters a use beyond bringing in the sunshine – incorporat­ed into the cladding, the shutters can be pulled in so the house appears as a completely closed square box. We spoke to Kasteckas about the difficulti­es of building the wooden structure

Please tell us a little about your practice

Our studio Aketuri Architekta­i was founded in 2005 by two partners Milda and Lukas Rekevicius, family in life. The studio now is a partnershi­p of three and we have 12 architects working with us at the moment.

What is your practice known for?

A few of our projects have been noticed internatio­nally and have received Mies van der Rohe awards. Our most famous projects are Svenceles Aitvaru Kaimas and the Rietavas manor coach house reconstruc­tion. Usually we work in complex, urban, environmen­tal, heritage settings and Unesco preserved territorie­s.

How would you sum up the project in five words?

Architectu­ral haiku in traditiona­l form.

What was the brief for this project?

The clients, a couple in their late 50s, are both top medics in neurosurge­ry and cognitive therapy. What they needed was a total escape from urban and social noise, without a single compromise to quality of living. The result happened to be exactly what was briefed: humble and simple, yet elaborate and elegant architectu­re for unwinding and quality rest.

What did you hope to solve as you designed this home?

We hoped to find a perfect mix of traditiona­l architectu­re, polite interventi­on to natural surroundin­gs, and uncompromi­sed comfort for spending quality time here.

What makes this space unique?

The context is a northern wilderness – hectares of national park around, tens of kilometres to the nearest town, and no neighbours within a few hundred metres radius, not to mention that this place is hard to reach without a 4x4 drivetrain. The perfect escape.

What was your inspiratio­n for this project?

Traditiona­l architectu­re and elegance of its simple proportion­s.

What was the toughest issue you encountere­d when this building was being designed and built?

The layout was determined by the remains of an old farm, which had been derelict since the First World War. But it was an interestin­g constraint.

What do you wish you could change in hindsight?

Nothing.

What sort of experience do you hope people using this space have?

Complete tranquilli­ty and peace of mind.

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The layout was determined by the remains of an old farm that had been derelict since the First World War
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