The Jewish Chronicle

Driving on equality street

Marina Gerner is in accord with a feminist manifesto. David Ruben ponders our beginning Attack of the Fifty Foot Women

- By Catherine Mayer T FIRST glance, by

HarperColl­ins, £20 Reviewed by Marina Gerner

AThe Attack of the 50ft Women, by Catherine Mayer, looks like a sequel to Naomi Alderman’s Baileys Prize-winning novel, The Power, about women gaining physical power over men, which in turn echoes some aspects of Margaret Atwood’s dystopian fantasy classic, A Handmaid’s Tale. But, far from being a fantasy, this hard-hitting, non-fiction book shows how dystopian our reality still is for women in the UK and beyond.

In the business world, Mayer points out, there are more CEOs called John in the UK and US than there are CEOs who are women. There still is an income gap, as we’ve heard most recently from the BBC, and only a minority of women reach senior positions. This, despite the fact that large-scale studies, such as the one conducted by Credit Suisse, show that companies with a significan­t amount of women in decision-making roles are more profitable. Mayer presents depressing research on gender discrimina­tion, sexual violence and the ordeals victims have to go through in court. What makes her extrapolat­ions even more valuable is how she connects violence against women with the broader cultural narratives created about us; the “value” placed on women in advertisin­g and the film industry.

Mayer is an award-winning journalist and co-founder, together with Sandi Toksvig, of the Women’s Equality Party. Her book is many-sided — the memoir of a journalist, an account of the founding of a political party, travelogue, research project and feminist manifesto. Her geographic reach is impressive, taking in gender inequaliti­es from Saudi Arabia to China. She writes about what she has learnt from Maze prisoners in Northern Ireland, as well as the most gender-equal country in the world, Iceland. And she shows why a fairer society for women is equally important and beneficial for men.

Some feminist authors put the onus on women as individual­s to act differentl­y, while others focus on changing the societal structures that are skewed against us. Facebook’s COO Sheryl Sandberg urged women to “lean in”, while political scientist Anne-Mary Slaughter, who famously wrote that “women still can’t have it all”, suggests child-rearing needs to be given greater status in society. As ever, the personal is political. Mayer’s book, too, is on the structural and cultural side of the debate, and it offers a clear lens into the UK, without remaining confined to it.

Her rationale for forming the Women’s Equality Party is to bring feminism into the mainstream and, like UKIP or the Green Party, influence the main parties. At a time when many find it hard to vote for any main political party, supporting the WEP makes a great deal of sense.

Marina Gerner is a freelance writer

THE NAMES They Gave Us by Emery Lord (Bloomsbury, £7.99) is a classic YA American summer-camp novel — about faith. Lucy is a practising Christian but Jewish readers will relate to her régime of modest dress, daily prayer and sacrosanct family Friday nights. Even the small details ring true: not mentioning your religion to new friends, for instance, because it is: “like you’ve rolled out a scroll of all the ways you see the world”. When Lucy’s mother’s cancer returns, Lucy is forced to question her beliefs. A sweet romance that does not shirk the tough stuff.

“How can we remember something we never experience­d,” asks the child narrator of Tisha B’Av, A Jerusalem Journey by Allison Ofanansky (KarBen, £14.99). He and his brother find out, by touring sites such as Robinson’s Arch and King Herod’s moat. They try their hand at archaeolog­y and learn about fasting. Readers aged three to seven will enjoy Eliyahu Alpern’s photos of children exploring the city — especially the sand-pit-like sifting of archaeolog­ical finds.

A different kind of exploratio­n is in store for Hyacinth in

Jacob Sager Weinstein (Walker, £9.99). She must journey through London’s sewers to find a magical drop of water and rescue her kidnapped mother. En route, she meets the scary Saltpetre men (7ft high, amorphous, gritty – and they work for Royal Mail); Oaroboarus (a pig in a bathing suit) and other curious characters. Imagine Alice in Wonderland with sewage. Age nine to 12 (but with safety warnings against playing with ammonia, electricit­y or plumbing).

Twelve-year-old singer-songwriter Lark continues her journey to stardom in

part two of a series by Harmony Jones (Bloomsbury, £6.99). Lark — a YouTube sensation who lacks self-belief —lives with boy band Abbey Road and has a crush on Teddy, the keyboard player. Readers aged nine to 12 will lap up the mix of behind-the-scenes band life, festivals, fashion/shopping and kisses “soft as starlight”. There is humour — and even pain, in Lark’s troubled relationsh­ip with her divorced parents and Teddy’s struggles with sudden fame.

 ?? PHOTO: PA ?? Claudia Winkleman, who was recently revealed to be the BBC’s eighth highest earner — the seven above her were all men
PHOTO: PA Claudia Winkleman, who was recently revealed to be the BBC’s eighth highest earner — the seven above her were all men
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Girl vs Boy Band, the High Note,
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The City of Secret Rivers
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