The Journal

Home of famous city architect set to become offices

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THE former home of a celebrated North East architect that later became part of one of Newcastle’s most popular nightclubs is set for a new lease of life.

Council chiefs have backed plans to refurbish the disused John Dobson House in the city centre to turn it into office space. The neo-classical home in New Bridge Street West was built by John Dobson, who designed Central Station and worked with Richard Grainger to transform the centre of Newcastle, in 1823 for himself and his family.

But it will be better known to many Geordies for being a part of some of the city’s most famous venues. A huge dance hall built next to the villa saw it joined on to a complex that opened as the Oxford Galleries ballroom in 1925 and was later reborn multiple times as Tiffany’s, The Studio, Ritzy, Ikon, Central Park, Diva, Liquid/Envy and Club LQ.

The dance hall was finally torn down in 2015 to make way for a student flats developmen­t and the Grade II*-listed house has stood empty since then. But it will soon be home to architects once more, after Newcastle City Council approved plans to have the building converted into a new base for local firm GT3.

The company, which has offices in Jesmond, is now set to move into the house of one of the region’s most revered designers – a space that their planning applicatio­n states will “support their growing business and reflect their interest in architectu­re and, in particular, a high-quality work space”.

A council report concluded that the architectu­re firm had a “good level of awareness of the significan­ce of the building as a heritage asset” to the city. City planners said: “The proposed works to the building include the creation of office space across the ground, first and second floors, with staff facilities and plant located in the basement.

“Minor changes to the internal layout and the renewal of electrical and heating services are also proposed, together with general refurbishm­ent works.

“The applicatio­n demonstrat­es a good level of awareness of the significan­ce of the building as a heritage asset and is considered to respond reasonably well to the constraint­s this imposes. Although some minor harm would result from penetratio­ns through the external fabric, the proposals are relatively light-touch, reversible and largely preserve the building as found.”

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