The Mail on Sunday

What a toe-tapping, hip-shaking ball!

- MATTHEW BOND

In The Heights

Cert: PG, 2hrs 23mins

In The Earth

Cert: 15, 1hr 47mins

The Hitman’s Wife’s Bodyguard

Cert: 15, 1hr 39mins

There are some who will tell you that the only thing you really need to know about In The Heights is that it comes from the geniusdipp­ed pen of Lin-Manuel Miranda, creator of that global phenomenon, Hamilton. What I think you really need to know – and, indeed, remember – about In The Heights is that IT’S A MUSICAL!

Which means that some of you are going to hate it from the moment the central character turns directly to the camera, flashes a friendly smile and bids us ‘good morning’ before breaking into his first number.

The rest of us, however, are in for a toetapping, hip-shaking ball as Miranda, working alongside writer Quiara Alegría Hudes and director Jon M. Chu, introduces us to a Hispanic community living on a Washington Heights block threatened by gentrifica­tion and redevelopm­ent, amid a New York heatwave and impending power cuts.

Usnavi (Anthony Ramos), the young shopkeeper at the centre of this enjoyably tangled tale, is dreaming of buying back the hurricane-damaged beachside bar once owned by his late father back in the Dominican Republic. But where would that leave his unrequited love for the beautiful Vanessa (Melissa Barrera)?

Or, while we’re on affairs of the heart, the similarly unreturned affections of humble taxi-dispatcher Benny y (Corey Hawkins) for Nina( Leslie Grace ), his boss’s Stanfordor deducated daughter, thec levverest girl on the block?

The fun takes a while to get going, and eventually it does slightly outstay its welcome, but a long middle section, full of numbers that alternatel­y prompt tears and make you wish you’ d been paying better attenntion in salsa class, is an abso-- solute delight. Go see it, but remember: IT’S A MUSICAL! In forestry circles there is a growing acceptance of the initially outlandish-sounding idea that the roots of forest trees are all joined by a huge network of interconne­cting fungi that might even allow trees to communicat­e communi with each other. It’s been dubbed the wood wide web. web Clever, huh? Well, W director Ben Wheatley le appears to have stumbled across t he i dea, super-charged it and used it as the basis for In The Earth, one of the most original British horror films of recent years. Cross The Wicker Man w with Apocalypse Now and a you’re heading in the right rig sort of direction.

It’s not always an easy watch – the pace is slow, the performanc­es low-key and it’s all a bit bonkers. But as scientific researcher Martin (Joel Fry) and his guide Alma (Ellora Torchia) venture deeper into the wood, you’re pretty sure there’s something nasty waiting for them.

In The Hitman’s Wife’s Bodyguard, Ryan Reynolds, Samuel L. Jackson and Salma Hayek reunite for a comedy-thriller sequel that this time around sees hitman Darius Kincaid (Jackson) kidnapped by the mafia and his potty-mouthed wife, Sonia (Hayek), needing the help of bodyguard Michael Bryce (Reynolds) to rescue him. The only problem is, Bryce has been in therapy and has given up violence.

Expect global conspiraci­es, Antonio Banderas as the main baddie and an unlikely appearance from Morgan Freeman amid the enjoyable but instantly forgettabl­e, popcorn-flavoured fun.

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 ??  ?? TANGLED TALE: A scene from In The Heights. Above and bottom: Salma Hayek and Ryan Reynolds in The Hitman’s Wife’s Bodyguard
TANGLED TALE: A scene from In The Heights. Above and bottom: Salma Hayek and Ryan Reynolds in The Hitman’s Wife’s Bodyguard
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