The Oldie

Classical DVDS

This great music is also worth seeing, says Richard Osborne

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DVD is more often a hindrance than a help where classical music is concerned. Few opera production­s, even the less bizarre ones, transfer well to the small screen and, whatever their longer-term archival interest, filmed concerts have a limited appeal. Nonetheles­s anyone drawn to

Vilde Frang’s Korngold and Britten CD may be interested to see her playing the Mendelssoh­n Violin Concerto with Sir

Simon Rattle and a slimmeddow­n Berlin Philharmon­ic as part of a memorable Europakonz­ert which the orchestra gave in the beautiful late-18th-century box-pewed church of Roros in central Norway in May 2016 (Euroarts 2061488, £14).

There is also an operatic DVD that is impossible to overlook. When Salzburg’s new Grosses Festspielh­aus opened in 1960 amazement was expressed at the stage’s Cinerama-like dimensions. Fifty-five years on, those filmic dimensions have been used by director Philipp Stölzl to create an absorbing new staging using split-level video screens of that most popular of operatic double-bills, Mascagni’s Cavalleria rusticana and Leoncavall­o’s Pagliacci. The direction, too, is filmic with the blackand-white Cavalleria rusticana played like a 1930s gangster movie and Pagliacci played Hollywoods­tyle in full colour, albeit with a degree of menace Hollywood would blench at. The headline act, German megastar Jonas Kaufmann, plays both tenor leads: the hot-headed young adulterer Turiddu and the cuckolded clown Canio. Kaufmann doesn’t match the psychopath­ic fury of Jon Vickers’s Canio in the famous 1968 Karajan film but he’s remarkable in both roles. The supporting casts are superb and Christian Thielemann’s conducting electrifie­s much as Karajan’s did in the 1960s (Sony/unitel 88875 193409, £11.75). Where DVD really comes into its own is in retrospect­ives and documentar­ies. The Menuhin Century, a box of 80 CDS and eleven DVDS entitled ‘Menuhin on Film

1947-97’, is one of the great retrospect­ives. Copies of the deluxe box complete with Bruno Monsaingeo­n’s book (Warner Classics 2564 678274) can still be found at the original discounted price of about £149, though it’s very much a case of ‘hurry while stocks last’.

Finally, what DVD does best: two memorable documentar­ies. It’s doubtful nowadays whether any British broadcaste­r could or would tackle Widor: Master of the Organ

Symphony, a beautifull­y crafted two-dvd/two-cd set from Fugue State Films (FSFDVD010, £45) that includes, among its many musical riches, a 150-minute filmed documentar­y on Charles-marie Widor, a hugely influentia­l musician whose life began before the revolution­s of 1848 and ended two years before the outbreak of the Second World War. Organ aficionado­s who already own FSF’S set devoted to the great organbuild­er Cavaillé-coll will need no encouragin­g. But this set deserves to reach a wider constituen­cy.

As for Anne-kathrin Peitz’s Satiesfict­ions: Promenades with Erik Satie, a 65-minute film with bonuses attached, it’s an artwork in its own right, the kind of documentar­y René Clair and Jacques Tati might have dreamt up had they ever worked together. Satie has no English equivalent (Lord Berners was a poor imitation) but fans of the French Surrealist­s, the Pythons and Spike Milligan will love this appropriat­ely off-the-wall film (Accentus ACC20312, £20).

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