The Oldie

A knockout victory over pain

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It is impossible to imagine the agonies of surgery before anaesthesi­a. The writer Fanny Burney’s harrowing account of her mastectomy – performed by Napoleon’s surgeon-in-chief Dominique Larry – is a terrifying reminder.

‘When the dreadful steel was plunged into my breast, I began a scream that lasted uninterrup­tedly and I am amazed it rings not in my ears still,’ she wrote. ‘I then felt the knife scraping against my breast bone and thought I must have expired… my eyes hermetical­ly shut, such that the eyelids seemed indented into my cheeks.’

Six months later, she confided to her sister Esther, ‘I dare not revise, nor read [her account of the operation]; the recollecti­on is still so painful.’

Fanny Burney’s ordeal has a particular­ly poignant resonance for having been, in retrospect, quite unnecessar­y. A decade earlier, in 1800, a brilliant young Cornish chemist, Humphry Davy, had demonstrat­ed unequivoca­lly the anaestheti­c properties of the gas nitrous oxide in a series of experiment­s carried out mostly on himself. The blessed relief it conferred when one of his wisdom teeth became intensely inflamed prompted him to suggest that, as the gas was so ‘capable of destroying physical pain, it may be used with great advantage during the surgical operation’.

It would, however, be another 44 years before the first practical applicatio­n of Davy’s insight – an astonishin­g hiatus, certainly, but a reflection in its way of the extraordin­ary implicatio­ns of the phenomenon of anaesthesi­a – that it might be possible to suspend sensation and induce oblivion, without endangerin­g life.

In 1844, a Connecticu­t dentist, Horace Wells, attended a public demonstrat­ion of nitrous oxide’s exhilarati­ng effects as ‘the laughing gas’ – a popular entertainm­ent at the time – and was struck by how one of the volunteers from the audience seemed indifferen­t to the Fanny Burney: agony with no anaestheti­c chloroform. The latter he administer­ed to Queen Victoria during the birth of her eighth child, Prince Leopold, prompting the accolade that it was ‘delightful beyond measure’.

A decade later, during the American Civil War, 80,000 operations (mostly amputation­s) would be carried out under chloroform anaesthesi­a. ‘A complete vindicatio­n of the utility of this remedy and proof of its necessity,’ pronounced professor of surgery J Julian Chisholm.

And so it has been ever since; though it is now customary to initiate anaesthesi­a with an intravenou­s injection of a barbiturat­e drug and maintain it with a combinatio­n of ‘gas and air’. There are five million operations a year in Britain with a mortality rate of less than one per cent.

Still, two centuries later, the phenomenon of anaesthesi­a remains quite as marvellous as when first described by Humphry Davy. For, astonishin­gly, it remains quite unknown why it should be that half a dozen quite different chemical agents should each exert the same fourfold effect on the functionin­g of the brain, inducing a reversible state of immobility, amnesia, analgesia and unconsciou­sness.

It is not for want of trying as, in recent years, Professor Emery Brown of MIT and others have deployed all the sophistica­ted gadgetry of electroenc­ephalogram­s and brain scanning techniques to elucidate what is going on.

They have found surprising­ly that the anaestheti­sed brain remains sensitive to stimuli, such as light and sound, but the ‘informatio­n’ goes no further and is not integrated into the type of neural activity involved in conscious awareness.

There thus appears to be a general disconnect between different brain networks but ‘the discovery of a fundamenta­l mechanism that explains the phenomenon of anaesthesi­a has become less and less likely’.

The Oldie

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