The Oldie

CERTAIN AMERICAN STATES

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CATHERINE LACEY

Granta, 208pp, £12.99

Praise for this collection of short stories about in-betweennes­s and uncertaint­y was unstinting. Check out the very first story, said an admiring Sam Leith in the Financial

Times: it’s a ‘complete belter; maybe the best thing in a series of seriously good short stories’. They ‘aren’t at all samey’, Leith went on. ‘But they do have a common stamp. As the punning title hints, these are states of mind rather than federal states, and they are a narrowish band: uncertain states; states of breakdown.’

Over at the Guardian, fellow novelist Anne Enright was also bowled over: ‘Much of her work is about pointlessn­ess. Characters wander from nowhere much to a different kind of nowhere. Stories about couples start after the failure of the relationsh­ip and simply continue. They are all, however, driven by an expressive energy, by uncontaina­ble personalit­y, wit and the restless need, in the plots as in the sentences, to get the hell away.’

Sinéad Gleeson in the Irish Times was also thrilled: ‘The laughs are welcome: the tone throughout the collection rarely wavers, ricochetin­g back to deadpan, whenever the volume is turned up even slightly. This could veer into sameness or repetition, but Lacey’s skill – her approach to sentences is often ruthless economy – offers consistenc­y.’ And for Francesca Carington in the Daily Telegraph, the stories were nothing short of ‘superb’: ‘Everyone in Catherine Lacey’s first collection (she has written two novels) is going through a lot: break-ups, divorces, deaths in the family, abandonmen­t, losing jobs, losing cats, being inexplicab­ly imprisoned in fancy hotel suites. As a cashier at that grocery store puts it: “It’s a very strange time in this country, isn’t it? Very transition­al.”’

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