A rollercoaster of desire,

A dysfunctional royal family at the heart of a crumbling empire as nationalism is on the rise... It’s a story that could easily be ripped from today’s headlines.

Yet Scottish Ballet’s latest work, The Scandal at Mayerling, is actually a reimagining of Sir Kenneth MacMillan’s iconic work from 1978, which was itself based on shocking real-life events from nearly a century earlier in 1889.

And it promises to be a powerful show that will keep audiences on the edge of their seats with its story of dark desire

and bleak destruction that works as a searing comment on power and privilege, according to Christopher Hampson, artistic director and CEO of Scottish Ballet.

“This is high drama and a rollercoaster ride through to the end as the story rips along at a great pace,” Hampson said of the ballet, which has its first performance in Aberdeen tonight at His Majesty’s.

“It’s incredibly exhilarating.

“We’ve had many audience members contacting us to say what a fantastic evening they’ve had but, very unexpectedly,

that it has left them with a lot to think about.”

Mayerling is set in the opulent courts of Vienna in 1889 and charts the true story of anti-hero Crown Prince Rudolf of Austria, heir to the AustroHungarian Empire, whose privileged lifestyle saw him embrace mistresses, alcohol and drugs to excess.

As his mental health declined, he became obsessed with death, leading to the “scandal” – when he and his teenage mistress were found dead in an apparent murdersuicide at a hunting lodge in Mayerling.

His death saw succession

pass to Archduke Franz Ferdinand, increasing tension between Austrian and Hungarian factions in the empire. The Archduke’s assassination in Sarajevo in 1914 would spark the First World War.

Hampson pointed out: “It’s very topical for the world order today, as we see empires declining and other empires taking their place. We see autocracy, we see popularism versus democracy and the tensions that are flying around the world right now.

“You know, 150-odd years later, it is still going on.”

This powerful story is

told as a mesmerising and bold ballet.

Mayerling, reworked from legendary choreographer MacMillan’s original, features nine intense and dramatic duets between Prince Rudolf, his wife, his mistresses and his mother. All of this is played out to a lush and romantic score to the music of Franz Liszt.

“It’s a marathon, both for the dancers and I should say the orchestra as well,” said Hampson.

“In particular, the person who dances Crown Prince Rudolf is barely off the stage. It really allows that principal dancer to show

his talent and expertise in partnering, as he has about seven-plus pas de deux within the two hours.

“But also for the orchestra, the score is completely ravishing, it’s highly romantic music, but Act Two never lets up.

“I know from some of the orchestral players they found it quite a marathon and a challenge.”

Mayerling is also quite challenging for the dancers both mentally and emotionally, with much of the work both physically intricate and erotically charged, and dealing with deep and dark themes, including sexual obsession, mental illness and drug addiction.

So much so, that Scottish Ballet became the first ballet company in the world to bring in an intimacy coach.

As Hampson explained: “I brought in some coaches that work with helping the cast and dancers access really difficult, intense situations and emotions. That’s where it’s been essential to devote some time to the intimacy coaching.

“It has paid off.

“I think what audiences see is something so visceral now and something they know that is really challenging, really engaging – but they know in the back of their minds that the dancers have been through training and it’s being accessed safely and the dancers are fully supported.”

That support extends to patrons, too, with a recommendation that it is for audiences aged 12–plus, while Scottish Ballet has been working closely with the Scottish Association For Mental Health to ensure appropriate messaging if anyone finds triggering moments in the work.

The Scandal at Mayerling has been winning praise from ballet fans and critics alike since its world premiere in Glasgow earlier this month.

It has been described as one of the most dramatic performances the company has ever given, as well as being called “bold and brutal”.

Hampson, who said he is delighted to see Scottish Ballet touring once again, hopes Aberdeen audiences will be just as thrilled by the work.

“Anyone who has been to see our productions before knows that we are not afraid about engaging with difficult subject matter, but that we do so in a way that connects withour society today,” he explained.

“It’s not being gratuitous or for shock value.

“The ballet has a real comment on power and privilege, and it’s shown through the demise of the Habsburg Empire, with the backdrop to this demise of Crown Prince Rudolf, which ultimately led to the First World War.”

■ The ballet runs from May 5-7. For information and to buy tickets for The Scandal at Mayerling at His Majesty’s Theatre visit aberdeenperformingarts.com

CHALLENGING: The Scandal at Mayerling dramatises the real–life events of the demise of Crown Prince Rudolf of Austria, which led ultimately to the outbreak of war.

The ballet is gruelling for the dancers, both physically and emotionally, but the result is a powerful, bold show that audiences and critics have been raving about.