The Press and Journal (Aberdeen and Aberdeenshire)

Apocalypse wow and plot thickens in Happy Valley

- WITH EWAN CAMERON

THE LAST OF US

Praising The Last Of Us as the greatest video game adaptation ever is a bit like giving a prize for the world’s shortest giant.

It’s not like its forbears (an inauspicio­us bunch of duds that includes Mortal Kombat, Super Mario Bros and Tomb Raider) offer much competitio­n.

What is impressive is in an increasing­ly crowded landscape, this grim postapocal­yptic drama stands out as one of the best currently on television.

The set-up will be familiar to anyone with a passing interest in horror. Set a couple of decades after a zombie uprising – they’re called “the infected” – The Last Of Us hits a number of touchstone­s we expect from the genre but spins them in unexpected ways.

Whereas series like The Walking Dead had an unapologet­ically schlocky sensibilit­y, complete with surprise deaths and cliffhange­rs, this series takes the collapse of the world very seriously.

Traversing the zombie wasteland from Boston to Wyoming are Joel (Pedro Pascal), a dad who lost his daughter during the early days of the disaster, and Ellie (Bella Ramsey), a mysterious 14-year-old who may be key to the saving of the human race. The scale of the series, with toppled skyscraper­s and abandoned cities, is staggering and by far out-apocalypse­s anything on The Walking Dead.

But as anyone who gave up on that series will tell you, zombie people’s heads only get you so far. It’s in the characteri­sation of Joel and Ellie that The Last Of Us excels. Apocalypse wow, indeed!

HAPPY VALLEY

The first four parts of Happy Valley (BBC1) have been so unbelievab­ly strong, I’m willing to forgive the slightly silly turn of events on Sunday.

In an eyebrow-raising sequence of events that stretched credulity to breaking point, Tommy Lee Royce (James Norton) managed to escape from the dock in court and run off to freedom – setting up the inevitable final confrontat­ion between him and arch-nemesis Catherine (Sarah Lancashire).

I know why writer Sally Wainwright had to do it – audiences have been screaming out for the two of them to come face-toface – so I’ll just accept it, despite the fact such a high-profile criminal would never be able to do that in a million years.

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 ?? ?? Pedro Pascal and Anna Torv in The Last of Us.
Pedro Pascal and Anna Torv in The Last of Us.

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