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HHHH Perhaps it takes an obnoxious filmmaker interviewing an obnoxious musician to truly get past the usual print-the-legend platitudes that make so many rock docs non-events. That’s certainly seems to be true of this fascinating, knuckle-gnawing film about Ginger Baker, the unapologetically irascible Cream drummer who responds to director Jay Bulger’s sometimes willfully inane questioning with responses that range from the rude to the violent. But his unwillingness to moderate himself or look at his past through rose-tinted shades makes this truly compelling viewing. bringing former enemies-turnedbromantic buddies Dominic Toretto (Vin Diesel) and Brian O’Connor (Paul Walker) out of early retirement to help Dwayne Johnson’s hulking Diplomatic Security Service agent to track down a computer chip that’s been boosted from the Russian military. There’s plenty of ludicrously exciting stunt driving to offset the spluttering storytelling. Bombastic, impressionistic, sumptuously designed, meticulously photographed, and at times wilfully vulgar, Baz Luhrmann’s take on F Scott Fitzgerald’s novel is so over the top it’s frequently in danger of losing any ironic distance from the material, and becoming a flat-out tribute to conspicuous consumption. But Leonardo DiCaprio does make a fantastic Gatsby. of satirical self-awareness to offset its otherwise gleeful celebration of old school chauvinistic cads clashing with their proto-feminist underlings. Romain Duris stars as an insurance salesman who seeks redemption for his messed-up love life in the form of his new secretary (Deborah François), whom he’s grooming for success in the the world of, erm, competitive speed typing. The incongruity of this backdrop is supplies a few laughs, but the film is too desperate to be a crowd-pleaser to really satisfy as one. JJ Abrams’ belated sequel to his exuberant 2009 reboot picks up roughly where that film left off, introducing a new villain (Benedict Cumberbatch’s deliciously sinister John Harrison) whose terrorist proclivities are threatening to embroil Starfleet in an all-out Klingon war. While it’s mostly good fun, there’s also something a little wearying about the warp speed approach. Where the first film gave the characters room to breathe, this one undercuts every moment of reflection with a sudden jolt of action.