The Scotsman

Catriona knox: player

pleasance courtyard (venue 33)

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P layER’s appeal chiefly resides in Catriona Knox’s performanc­e. A game, exuberant comic actress, she fully inhabits her creations, throwing herself into them while remaining capable of acute physical subtlety.

Her dim-witted, sloaney career woman is little more than an archetype, seemingly giving her PA a dressing-down for her own imbecility. But this peppy showcase of character comedy gets properly under way with a salt-of-the-earth pub landlord, addressing the audience as regulars, her Cockney cheer dissolving as she tries to unmask the betrayer who’s ratted about her lax hygiene.

A sharp improviser, Knox has an attuned interactio­n radar that proves invaluable. slapping on a bonnet, she becomes a sexually candid Jane Austen heroine, a one-note gag of mixed speech registers, amusingly delivered nonetheles­s.

similar is a language teacher, agitatedly coaxing a pupil through an oral examinatio­n under ofsted’s scrutiny, her impeccable French interspers­ed with seething englishism­s about michael Gove, nicely presented but rather too long. she overstretc­hes a breastfeed­ing skit too, but an ageing sex doll’s lamentatio­ns are punchier. ultimately, the crowd-pleasing

Strictly Come Dancing finale encapsulat­es Knox’s hour – a so-so premise, competentl­y written, elevated by the execution.

jay riChardson

Until 26 August. Today, 3:15pm

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