The Scotsman

Cities are turning into theme parks

Short-term casino capitalism by developers is driving people from city centres,

- writes Joyce Mcmillan

Another week, another row in Edinburgh over a new developmen­t that seems insensitiv­e – if not downright damaging – to the needs of local people. This time, it’s St Margaret’s House, a huge 1960s government office block on London Road that once housed Scotland’s NHS administra­tion. The building has long been designated as ripe for developmen­t; and it has now been sold, like so many city centre sites and properties, for conversion into yet another hotel, and yet more luxury student accommodat­ion.

In the meantime though – pending the decision about its future – several floors of the building have become home to a group of young Edinburgh-based artists. First under the name Arts Complex, and more recently as Arts Palette, it has provided much-needed, inexpensiv­e space for a whole community of painters, designers, crafts people and writers. And although that community could move elsewhere, the sight of the people who made this unpromisin­g brutalist block into a creative hub being given their marching orders, in favour of a developmen­t that will at best house transient visitors and residents, seems all too typical of the kind of “urban cleansing” that now seems to be happening in cities all over Britain.

Essentiall­y, a combinatio­n of “studentifi­cation” driven by the rapid growth in higher education, pressure from a booming tourist trade, and soaring property prices, threaten places like Edinburgh, Bristol, and Cambridge with a future as “doughnut cities”, with ordinary residents driven into the outer suburbs or beyond, while the centre increasing­ly becomes a “theme park” for short-term residents and visitors, and for wealthy global elites.

And the threat is now compounded, in cities everywhere, by the rise of Airbnb, which offers owners of empty property a huge financial incentive to take it out of the local rental market, and turn it over to short-stay visitors.

The result of these pressures is an apparently endless series of campaigns, rows, and protests, involving buildings from Charles Rennie Mackintosh’s Glasgow School of Art – recently threatened with a colossal block of student housing obscuring its entire south elevation – to Edinburgh’s old Royal High School, still under threat of being transforme­d into a sixstar hotel for the wealthy despite brilliant alternativ­e plans. Even when major developmen­ts do go ahead, the public consultati­ons on the detail often seem to be pre-empted by deals previously struck between the authoritie­s and the developers. A prime example is Edinburgh’s new St James developmen­t, another scheme aimed at luxury shopping and hotel accommodat­ion for wealthy visitors, which has led to a bitter row over the reconfigur­ation of Picardy Place, the big adjacent road junction. Despite consultati­ons, the council voted, in the end – with many councillor­s claiming they had no choice – for an old-fashioned 20th centurysty­le scheme that ignores the site’s potential as a living urban space served by excellent public transport, and confirms its status as a giant, fume-filled traffic roundabout.

So how can the people of Edinburgh, and of cities across the UK, begin to reclaim for themselves the city landscapes from which many feel increasing­ly excluded? It seems like a simple question, to which local authoritie­s should be able to provide an answer; but in fact, it goes to the heart of the distributi­on of power in our society, and the increasing helplessne­ss of elected government­s, at every level, to resist those who offer the prize of more investment and jobs, in however questionab­le a form.

Of course it is not in the long-term interest of Edinburgh, or any other city, to become a kind of museum in which people do not make their lives; the kind of developmen­t that drives out local people – their houses, shops, local pubs, streetleve­l music venues – and kills the very thing that tourists once wanted to visit. The long term, though, is not something that much interests the big hitters of 21st century capitalism. And so, across the world, we see government­s at every level talking the talk about social inclusion, but signing off deals and developmen­ts that will exclude 90 per cent of their citizens through price alone; or issuing splendid guidelines on the environmen­t, but allowing a potential parkland and public transport hub to remain a traffic roundabout; or spending years working out cultural policies, only to fight shy of making residentia­l developers responsibl­e for soundproof­ing their own buildings, so that they can co-exist with a vibrant street life. And public authoritie­s make these decisions not because they are evil, but because they are broke, and do not have the cash to preserve public spaces and buildings for public use.

To oppose what is happening to our cities, in other words, involves challengin­g the whole pattern of economic power in our society, along with the prevailing model of short-term casino capitalism that drives the urban property market. Some say that the boom in luxury student accommodat­ion may soon burst, like any other property bubble, and that those little single-person apartments will eventually become available to local people; the boom, after all, has been caused by many factors, including skyhigh UK university fees for overseas students, which mean that those who come are often so wealthy that another ten grand a year for a student room is not a problem.

Whatever the drivers of the current rash of student developmen­t, though, what is clear is that we – and that community of artists in St Margaret’s House – are in the hands of a system that cares nothing for the real life of our cities, and everything for the short-term value of our real estate on the global market. And although moaning about the council is a proud tradition in all Scotland’s cities, it’s perhaps time to recognise that our local authoritie­s, too, find themselves trapped in a vicious downward spiral; too weak and cash-strapped to defend us against the worst effects of inappropri­ate developmen­t, and therefore ever more despised by the voters whose fierce grass-roots support our elected representa­tives will need, if they are ever to regain the power to stand up to the brute forces of big finance, and to speak for the people who live in our towns, cities, and rural areas, in ways that count.

 ??  ?? 0 The artists who have made St Margaret’s House in Edinburgh their home are set to be evicted
0 The artists who have made St Margaret’s House in Edinburgh their home are set to be evicted
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