The Scotsman

Arts budgets are under pressure – please help by leaving a donation in your will

David Watt looks at ‘planting a seed’ for legacy funding

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Is there ever an appropriat­e time to talk about death? The arts have always been consumed by themes of life and death, while the central existence of many heritage bodies is to evoke the experience­s of lives passed.

Why then, when it comes to legacy funding via people’s wills, do cultural organisati­ons punch well below their weight in comparison to medical research, religious organisati­ons or educationa­l institutio­ns (the National Trust for Scotland being a notable exception)? Resourcing may be an issue for some while others may simply not be comfortabl­e with broaching the topic.

Recent headlines highlight ongoing financial uncertaint­ies facing many cultural bodies. In that con- text, perhaps it is time for more arts and heritage organisati­ons to overcome those sensitivit­ies and consider developing a legacy fundraisin­g strategy.

Legacy expert Richard Radcliffe has recently highlighte­d millions of pounds in untapped private funding that arts and heritage organisati­ons could potentiall­y target. A series of recent focus groups in Scotland have establishe­d that almost one in five Scots currently has a charitable legacy in their will but that up to one third of the Scottish population plans to leave money to a charitable cause in their will in the future.

With around one million Scots currently aged over 65 and assuming an average individual legacy donation of £15,000, this equates to £5 billion of potential legacies to the Scottish charity sector over the next 30 years – equivalent to £165 million per year.

These figures show the rising popularity of legacy giving and a growing desire from Scots of all ages to give something back to good causes for the benefit of future generation­s. Official figures from research by Smee & Ford also show the cultural sector to be the fastest growing recipient of legacy donations in the UK.

For a growing segment of the population then, leaving money to the arts or heritage says something important about what defines them as people – whether that’s experienci­ng the arts as an important inspiratio­n for their life choices and goals or heritage as a key expression of their culture and identity. These are lifeaffirm­ing experience­s that a rising number want to see preserved for their children and grandchild­ren.

Despite the growing popularity of cultural legacies, Mr Radcliffe remains concerned that the cultural sector is not taking proper advantage of this opportunit­y, with legacies currently providing a much smaller proportion of funding revenue for arts and heritage organisati­ons than for the charity sector as a whole. This problem, he argues, is further compounded by a particular reluctance of Scottish charities to source additional funding from legacies compared to their English counterpar­ts.

The long lead times involved in realising the benefits of a legacy

fundraisin­g strategy can be a turnoff for many organisati­ons that are understand­ably focused on sourcing short term funding. But with a generation of wealthy baby-boomers currently writing and reviewing their wills and an increasing number intending to donate to charity in the future, now seems a prudent time to look again at the long-term pipeline potential of legacy funding.

Research suggests that people rarely change the beneficiar­ies of their will over their lifetime. With many first wills written on getting married or at the birth of a first child, there is an argument for engaging with younger generation­s too.

For smaller arts and heritage organisati­ons, efforts to pursue legacy fundraisin­g needn’t be expensive or resource intensive or involve a ‘hard sell’. Instead, it could simply start by ‘planting a seed’ in the minds of loyal supporters by means of informal and indirect conversati­ons.

With public sector budgets for culture under significan­t ongoing pressure, legacy giving has huge potential as a growing future source of funding.

Last week, richard rad cliff eat tended an Arts& Business Scotland developmen­t forum in Glasgow, where he guided participan­ts through the process of developing a successful legacy funding pipeline, while also covering topics such as identifyin­g and reaching prospects and legators and providing practical informatio­n to potential donors.

But he will also be returning to Scotland on 26 April to take part in Inspiring Fundraisin­g: A National Heritage Conference where Scotland’s heritage sector organisati­ons in particular will be able to reap the benefits of his legacies expertise. David Watt is chief executive of Arts & Business Scotland.

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