The Scotsman

Suffragist statue a reminder of ‘absence’ of memorials to women in Scotland

● Statue of activist Millicent Fawcett unveiled in London

- By MARTYN MCLAUGHLIN

The unveiling of the first statue to a woman in Parliament Square serves as a reminder of the “palpable” absence of memorials to women across Scotland, according to one of the key figures behind the nation’s only accredited museum dedicated to women’s history

There were celebratio­ns in London yesterday at the unveiling of the bronze honouring suffragist leader, Millicent Fawcett, a campaigner for women’s right to vote during the early 20th century.

Speaking at the ceremony, Prime Minister Theresa May said the statue would provide inspiratio­n for future generation­s, while London mayor Sadiq Khan said the “historic day” represente­d the first steps towards ensuring women are properly represente­d in Britain’s public spaces. The statue, erected after a campaign by the feminist writer and activist Caroline Criado Perez – is the first of a woman to be sited in Parliament Square.

Last month, a statue to Mary Barbour, a prominent campaigner in Glasgow during the 1915 Rent Strikes, was unveiled in Govan to coincide with Internatio­nal Women’s Day.

However, organisati­ons promoting and celebratin­g the achievemen­ts of women throughout history said more could be done.

Sue John, enterprise developmen­t manager at Glasgow Women’s Library, said occasions such as yesterday’s unveiling sparked renewed debate about the lack of memorials to women. The issue, she said, remained problemati­c.

“Clearly there is a palpable absence of Scotland’s great women in our civic landscapes, where our great men are visibly, often triumphant­ly, celebrated through statues, buildings and street names,” she said.

“But this is part of a much broader issue of women having been routinely written out of history more generally, and the lack of memorials is one symptom of this.”

She added: ”It’s important that women are written back in to history, and that there are visible manifestat­ions of their achievemen­ts because there are consequenc­es to their absence.”

Ms John said she had “mixed feelings” about statues being considered the only suitable form of commemorat­ion, describing it as a “monolithic form” which felt “outdated and unimaginat­ive”.

Lynn Abrams, professor of modern history at the University of Glasgow and a member of the steering committee of Women’s History Scotland, agreed that statues had a “very particular kind of meaning” in British society, and that some people took issue with them.

She pointed to the Mapping Memorials to Women in Scotland project – a collaborat­ion between Women’s History Scotland, the Glasgow Women’s Library, and Girlguidin­g Scotland – which has collated a map of hundreds of memorials around Scotland.

“There are traditiona­l plaques and statues, but there also the likes of benches and stained glass windows,” Ms Abrams said.

“People should walk down their street and realise what’s out there.

“There’s a huge variety of memorials to women.”

The statue to Fawcett, the work of Turner Prize-winning artist, Gillian Wearing, shows her holding a banner which reads: ‘Courage calls to courage everywhere’.

The line is taken from a speech made by Fawcett after suffragett­e Emily Wilding Davison was killed.

COMMENT “This is part of a much broader issue of women being routinely written out of history more generally, and the lack of memorials is one symptom” SUE JOHN

 ??  ?? 0 The statue of suffragist Millicent Fawcett was designed by artist Gillian Wearing, right centre, with London mayor Sadiq Khan and activist Caroline Criado-perez
0 The statue of suffragist Millicent Fawcett was designed by artist Gillian Wearing, right centre, with London mayor Sadiq Khan and activist Caroline Criado-perez
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