The Scotsman

Sounds of the sea reflect Mike Vass’s latest musical adventure

- Jimgilchri­st

Mariner and multiinstr­umentalist Mike Vass has taken to the water once again for his latest album, the appropriat­ely titled Notes from the

Boat, which he recorded early last year on board his 11-metre Dutch sailing boat, Sweet Harmony, while moored at Inverkip marina on the Clyde. His last album, 2014’s In the

Wake of Neil Gunn, was nominated for the Scottish Album of the Year award and was inspired by the Highland writer’s memoir Off in

a Boat. For Vass, recovering from severe illness at the time, making the album (and retracing Gunn’s Highland voyage) was a cathartic process. With Notes from the Boat, he simply wanted to record music he’d composed over the past decade – written for weddings, birthdays and the like – in collaborat­ion with musicians he’d known and played with over the years.

He and his brother Martin were planning an ambitious sea voyage in the Sweet Harmony, taking in Spain Portugal, Madeira and the Canaries with a possible Atlantic crossing to follow, so he invited pals such as fiddlers Gillian Frame, Duncan Chisholm and Tomás Callister, fiddler-guitarist Anna Massie and harpist Corrina Hewat to join him in his floating mini-studio, which was also his home at the time.

As things transpired, the subsequent voyage was far from plain sailing, and any plans for an Atlantic crossing were dispelled by severe weather they hit after leaving Portugal – the boat is still in the Canaries undergoing repairs.

“The waves got so bad,” he recalls, “we couldn’t eat for two days. It was a case of hanging on for dear life. But you need to experience these conditions to grow as a sailor.”

The new album is a much lighter affair than the last one, he agrees, though richly melodic and with some intriguing use of “found sound” such as speech snatches, water lapping, rigging thrumming and even a sail serving as a bass drum. The opening

Last Day, for instance, with its raindrop pizzicato, has fiddler Gillian Frame intoning the tune title in VHF phonetic alphabet, while the closing

Art features fiddler-guitarist Innes Watson and some knock-on parts for galley saucepans. Elsewhere, the sprightly jig Bright

Kirk contains chirpy vocal samples from Vass’s nine-month-old niece. Certain other background effects were unlooked for but unavoidabl­e: both Massie’s charming wedding waltz and another beautiful air, also written by Vass for a wedding and played by Chisholm, were recorded at Inverkip while a near-gale was blowing outside, although digital technology has calmed it down to a discreet background murmur.

“The boat is such a noisy environmen­t,” says Vass, “whether you’re sailing or in port. The way my brain works I’m always hearing these things. If I hear something interestin­g I’ll record it and try and incorporat­e it – but then you end up starting to take sounds out because it just becomes too cluttered. “I like it,” he admits, “because all these noises are a bit silly, and it’s trying to allow that silliness but also trying to be tasteful.”

Throughout it all, Vass’s own accompanim­ents, on tenor guitar, fiddle and much else, flow with his tunes like water under the boat. He’s been working on recording a song cycle he’s written, called Save His

Calm, with other musicians, but it’s studio production that keeps him busiest in Glasgow. He’s currently working on a new album project –

The Ledger – with Gillian Frame and Findlay Napier, as well as on singer and fellow Malinky-member Fiona Hunter’s next album.

“That’s the main part of my working life now, studio things. I get to be creative while helping other people with their studio time. And I love it.”

Meanwhile, also crossing the ocean, though presumably not by boat, are the US country-bluegrass supertrio I’m With Her, featuring three award-winners – Crooked Still’s Aoife O’donovan, former Nickel Creek fiddler Sara Watkins and Grammy-winning multi-instrument­alist Sarah Jarosz. They play Lerwick’s Mareel centre on 27 August and the Queen’s Hall, Edinburgh, on the 28th. Expect beguiling vocal harmonies and instrument­al prowess.

“If I hear something interestin­g I’ll record it and try and incorporat­e it”

Notes From The Boat is out now on Unroofed Records, mikevass.com

 ??  ?? Mike Vass says his new album is a much lighter affair than his previous one
Mike Vass says his new album is a much lighter affair than his previous one
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