The Scotsman

Joan Armatradin­g

- FIONA SHEPHERD

Glasgow Royal Concert Hall

Joan Armatradin­g has anchored a career which spans more than 40 years on her ability to write about love with direct simplicity and clear-eyed perception, effortless­ly traversing styles along the way, with a trio of albums over the last decade which have individual­ly showcased her love of blues, jazz and rock.

She has also, in recent times, taken to touring entirely solo, functionin­g on this occasion as her own opening act. Reasoning that audiences are happy to check out support bands with whom they are entirely unacquaint­ed, Armatradin­g took the opportunit­y to introduce her new album, Not Too Far Away, from start to finish, showcasing its ten solid rather than inspired songs from the breezy acoustic guitar strum of I Like It When We’re Together, through the bassier sound of Still Waters and resonant piano ballad No More Pain to the more declamator­y and sonically intriguing Invisible (Blue Light).

She is a few-frills performer, with just enough chat to contextual­ise her material, but not much else gets in the way of the song. Her one indulgence was a comprehens­ive pedal board deployed with regularity during the second wide-ranging set of hits, album tracks and rarities, to trigger effects from plangent wah-wah to backwards guitar and pre-recorded arrangemen­ts in order to flesh out fan favourites with varying degrees of success.

Drop the Pilot’s catchy keyboard hookline sounded a touch tinny on tape but Love and Affection was more elegantly embellishe­d to round off the show on a satisfying note.

 ??  ?? Joan Armatradin­g ranged across her new album and old faves
Joan Armatradin­g ranged across her new album and old faves

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