The Scotsman

Checking the teeth of concert hall ‘gift horse’

Edinburgh’s planned new concert hall has its critics, but I’m keeping an open mind,

- writes John Mclellan

It was supposed to be a gift horse whose teeth would go unexamined, but despite the expectatio­ns of its influentia­l backers it doesn’t appear to be working out that way for Edinburgh’s new concert hall. Set to rise up behind the Royal Bank of Scotland’s Georgian mansion, Dundas House on St Andrew Square, the 1,000-seater Impact Centre was included in the £1.2 million Edinburgh “City Region Deal”, so has both Scottish and UK Government support to the tune of £25m out of a total expected cost of £45m.

Led by Sir Euan Brown and designed by Sir David Chipperfie­ld, the centre will replace the Queen’s Hall as the Scottish Chamber Orchestra’s base and has financial backing from Internatio­nal Festival benefactor Carol Grigor and her Dunard Fund. Dunard is also bankrollin­g opposition to the hotel plan for the old Royal High School and is at the heart of the scheme to turn it into a new home for the St Mary’s Music School, also with a public performanc­e hall.

It was sold as a key component in securing the Edinburgh Festival’s place at the top of the global cultural league, and has an internatio­nally renowned architect on board, so Impact’s well-connected team might not have expected to encounter much resistance. Yet this week The Scotsman revealed that the Architectu­ral Heritage Society of Scotland had lodged an objection because the new building will “tower above” Dundas House. “The proposal is too large and too tall for such a restricted plot ... and as such represents an overdevelo­pment of the site,” said the AHSS submission to the city council.

If this is bad news for Impact, it’s good news for the new St James Centre whose developer, TH Real Estate (THRE), has been making a similar point for some months, arguing that the height of the hall will steal the view of St Andrew Square and George Street which their hotel was expecting to enjoy and was part of the design brief.

THRE is also unhappy that large equipment trucks could access the concert hall through the currently pedestrian­ised Multrees Walk, something which was actually supported by the Edinburgh Design Panel when it met to discuss Impact last year. The alternativ­e, for THRE to provide access through the St James Centre’s undergroun­d services entrance, received a predictabl­y cool reception.

It now appears behind-thescenes negotiatio­ns have failed, with St James developmen­t chief Martin Perry writing a letter to locals urging them to object. In turn, Impact is now said to be consulting its lawyers about its contents. “It is not proper for their letter to include inaccuraci­es which may mislead others,” Impact chair Sir Euan Brown said. “This is extremely disappoint­ing and we are taking appropriat­e action.” What those inaccuraci­es are is unclear, although it’s hard for TH RE to argue about the adverse effect of the concert hall’s height on the city skyline when there will be no more dramatic alteration than the golden ribbon/walnut whip/ t*rd design of the hotel at the heart of St James. But Impact faces its own challenge in arguing that such a massive constructi­on, largely in concrete, is compatible with the surroundin­gs when it has taken over a decade to get rid of the concrete monstrosit­y which was St Andrew’s House.

The Cockburn Associatio­n, so often at the heart of opposition to contempora­ry constructi­on in the World Heritage site, has given its blessing and that means much hangs on the position of Historic Environmen­t Scotland and the World Heritage Trust, whose director Adam Wilkinson has been keeping his head lower down on this issue than his prominent opposition to the Royal High School hotel scheme.

At least the AHSS is consistent in its opposition to both the Royal High hotel and the concert hall, because it’s not difficult to argue that the, well, “impact” on the main High School building and Dundas House from the proposed modern additions is similar. It might be left to the members of the city council’s planning committee, of which I’m one, to decide what happens. As it stands, my mind is entirely open.

This Wednesday my planning colleagues and I must decide whether to grant permission to the Gleneagles club and hotel proposal for the grand old Bank of Scotland office next door to Dundas House. Which means I can’t say anything about it.

Who will empty my bin?

With some understate­ment, Edinburgh council’s head of place management, Gareth Barwell, informed councillor­s this week that changes to the council’s waste service “had been disruptive for many residents”. Those residents who still wonder when their bins will be emptied, as opposed to what it says in the council’s recent letter, might read “disruptive” as “utterly shambolic”. As for the new garden waste system which costs £25 a bin, mine is still outside on the street.

Rift deepens by the day

Amidst the chaos, the rift between some Labour councillor­s and the SNP on Edinburgh council’s coalition administra­tion is becoming deeper by the day. Now Councillor­s Scott Arthur and Gordon Munro have not only accused colleagues of failing to speak up about Scottish Government funding cuts, but of interpreti­ng opposition to education cuts as open attacks.

Tellingly, they quote the council partnershi­p agreement which requires the administra­tion to lobby the Scottish Government to ensure adequate funding for local services and contrast the current leadership’s silence with EX-SNP leader Sandy Howat’s public criticism. This week they and their Labour colleagues face a further dilemma over a Conservati­ve motion to examine options for suspending Primary One testing.

Opposition puts them at odds with the national party so for once in this council, the local leadership might actually have to stand up for themselves and publicly reject SNP policy.

 ??  ?? An artist’s impression of how the new £45m concert hall will look
An artist’s impression of how the new £45m concert hall will look
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