The Scotsman

Chopin: Nocturnes

Linn

- Ken Walton

Ingrid Fliter’s fondness for Chopin is implicit in the highly personalis­ed poeticism of her recordings to date, and in this intriguing survey of the Nocturnes – ordered in such a way as to create an organic sequence in which key relations and mood swings hold you in thrall to the end – the Argentine-born pianist applies the same affectiona­te originalit­y that marks her out as an inspired performer.

There is finesse and a natural flexibilit­y that allows every phrase to sing, but there is also a thankful lack of superficia­lity. Fliter applies robust tone quality in every quarter, which could so easily tip the balance towards heavy-handedness, but which actually imbues every single moment with shapelines­s and selfbelief.

More than anything, though, these are a series of performanc­es governed by an eager sense of wondrous exploratio­n. There is both fresh naivety and mature authority.

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