The Scotsman

It’s all drama and no songs as Victor Hugo’s epic comes to the BBC

The ambitious sixpart version of Les Miserables goes back to the original book, its stars tell Georgia Humphreys

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Chances are you’ll know the gut-wrenching story of Les Miserables. Whether you’ve seen the 2012 film, watched the musical on stage, or read the historical novel by Victor Hugo, it’s a depiction of the struggles of France’s underclass, and how far they must go to survive.

Now, six-part BBC1 miniseries Les Miserables promises to delve deep into the layers of the classic story, which is set against the epic backdrop of 1845 France – a time of civil unrest.

Here, cast members Dominic West, Lily Collins and David Oyelowo tell us more about what to expect from the adaptation.

The protagonis­t of the story is Jean Valjean, who is struggling to lead a normal life after serving a prison sentence for stealing bread to feed his sister’s children.

And for Sheffield-born West, star of The Wire and The Affair, the appeal of playing him is simple.

“He’s the best superhero that’s ever been written about,” says the 49-year-old.

Meanwhile, it’s a dream come true for Collins, 29

– who is the daughter of musician Phil Collins – to play orphaned, working-class Fantine, as she grew up loving musicals like Les Mis.

However, the actress, who played Snow White in the film Mirror Mirror, loves the fact that the BBC version doesn’t feature any singing.

“It’s really fun to play the part that people have played before, but in a way no-one’s seen before,” say the Guilfordbo­rn star, who moved to LA as a child with her mother.

“We get to see her meet her friends, meet her lover, be wooed, and go out on dates and actually fall in love and have the child,” adds Collins.

“And then she goes on the journey that everyone mostly knows.”

Oyelowo, who was born in Oxford to Nigerian parents, takes on the role of Javert, a police inspector who becomes obsessed with the pursuit and punishment of convict Valjean.

And the 42-year-old admits

0 Dominic West and David Oyelowo in Les Miserables

he was pleasantly surprised when he was offered the part.

“It’s the kind of role that growing up in the UK you just accept, ‘Well, I love watching that, but that’s never going to be me’,” confides the actor, known for films such as Selma and A United Kingdom.

“I’m elated that we are in a time and a world where it’s not any sort of big move on the BBC’S part or Tom’s [Shankland, director] part or the producer’s part to approach me with a role like this.

“I’m just so glad that 12-yearolds that look like me are going to get to see images that I didn’t get to see when I was their age, and would have been formative for me.”

Much of the drama in Les Mis revolves around the caton and-mouse relationsh­ip between the characters of Jean Valjean and Javert.

“Javert sees Jean Valjean as a mirror to himself,” explains Oyelowo.

“Javert was born in a prison, he was born to gypsy parents, he was born in and around criminalit­y. And that is the thing he is pushing away from obsessivel­y for all of his life.”

Both actors enjoyed scrutinisi­ng the text to develop their characters.

“We’ve spent a lot of time just trying to nail down what makes this feel real, because the book itself relies heavily

coincidenc­e,” notes Oyelowo.

On exploring the motivation­s of their characters, West elaborates: “We had a bit of trouble at first, thinking, ‘What’s Javert’s problem? Why is he so obsessed with this dude?’

“But it all became easier when David starting doing Javert in a London accent, and I started doing Jean Valjean in a Yorkshire accent.”

Collins’ preparatio­n, meanwhile, saw her speak to Anne Hathaway, who won an Oscar for her role as Fantine in the film.

She was told: “Good luck, and do your own thing.”

West says that because the book – which he calls “the best book” he’s ever read – is a lot less known than the musical, it takes the pressure off a bit.

“It’s huge, epic, magic, romantic, heroic, incredibly morally challengin­g and morally interestin­g.

“People will play this part forever because it’s a great classic part, and the reason is there’s so many ways to come at it.”

What also makes the tale timeless is its themes, such as guilt and revenge. And West also points out that there are parallels with today’s society in terms of the class struggle depicted in the show.

“Les Miserables is about the poor people ... and their fight against injustice and plutocrats running over them,” he says. “It’s all pretty relevant.”

“People will play the part of Valjean forever because it’s a great classic part”

● Les Miserables begins on Sunday 30 December, BBC1, 9pm

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