The Scotsman

It’s good to talk, so let’s listen to those whose voices are less likely to be heard

Those who are silenced or censored starts our Conversati­on about language that isn’t male, white and middle class, says Kathryn Welch

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Let’s talk about language, and about the way that language reflects and shapes our experience of the world. Whilst it’s easy to assume that we’re each exposed to a cross-section of perspectiv­es, the realities of media access, online news curation, and the concentrat­ion of white, middleand-upper class voices in positions of power means that our views of the world are disproport­ionately influenced by a small minority.

At Macrobert Arts Centre, we wondered what effect this concentrat­ion of power might have, and what role we might play in intentiona­lly making space for a wider diversity of perspectiv­es. The opportunit­y to programme the Traverse Theatre Company’s production of Locker Room Talk – created in response to Donald Trump’s infamous ‘grab them by the pussy’ comment – offered the perfect stimulus to begin this conversati­on, together with our audiences, partners and wider community.

Through a curated season of live performanc­e, film takeovers and participat­ory activity, we’ve shaped a programme of events intended to explore the way we talk to and about each other, and to test the impact of widening the network of people whose voices we get to hear. This approach isn’t new to us – over the past three years we’ve used this model of curated ‘Conversati­ons’ to explore topics as diverse as mental health, young people’s activism, the impact of the end of our local mining industry and environmen­talism.

This new Conversati­on will kick off (aptly) on Internatio­nal Women’s Day, when we’re delighted to present award-winning writer Annie George’s live performanc­e of Twa. Accompanie­d by visual artist Flore Gardner, Twa blends theatrical storytelli­ng with digital and live performanc­e drawing to explore stories about women who are silenced or censored and who find other means of expression than just the voice to convey their truths. We’ll host a postshow discussion with Annie and other women we admire to explore how creative expression can become an act of resistance.

We welcomed over 140,000 people through our doors at Macrobert Arts Centre last year. As an organisati­on with this kind of profile and reach, one of the most powerful ways we can disrupt existing power structures is to hand over our programmin­g decisionst­o those who are typically under represente­d or less well-heard.

With this in mind, we’ve teamed up with Stirling Women’s Aid to support a film takeover at Macrobert Arts Centre. For a weekend this March, we’ve invited Women’s Aid staff, volunteers and service users to become our Film Programmer­s – choosing what films we screen and selecting films that share a wider perspectiv­e on the world. We can’t wait to see what they come up with.

We’ve been inspired in this Conversati­on by many others – including Stylist magazine’s search for new female film critics (aptly titled Under Her Eye), which quoted research by USC Annenberg in LA showing that only a fifth of film critics are female, and of those only 4.1 per cent are women of colour. One of our own colleagues here at Macrobert – Film Trainee Katie Skinner – wrote a powerful entry for Stylist’s competitio­n, describing documentar­y The Rape of Reccy Taylor (featured in the programme for 2018’s Central Scotland Documentar­y Festival), as ‘like being kicked in the face by emotion and having menstrual cramps in your heart’. Her perspectiv­e, alongside that of the other shortliste­d new reviewers, keenly makes the case for supporting a new generation of artists to disrupt the narratives we’ve come to expect to hear.

Whilst we’ve intentiona­lly chosen artists we know and admire to contribute to our Conversati­on, we’re also keen to invite everyone to share their own perspectiv­es on the importance of language, connection and empathy. We’re inviting everyone (for which, read: do get involved!) to share with us a photo of people in your life ‘havin’ a blether’ and a short descriptio­n explaining why this photo is dear to you. We’ll select a number of our favourites to be exhibited in our venue and online. Entries should be submitted to: marketing@macroberta­rtscentre.org by Thursday 28 February – do get involved.

And finally, to draw our season to

a close, we’ll be presenting Locker Room Talk on our main stage this April. This performanc­e is a provocativ­e exploratio­n of how men speak about women in male-only spaces, written by Gary Mcnair and constructe­d from interviews with dozens of men from a wide variety of background­s. A selection of these conversati­ons is performed, verbatim, by a cast of four women, making for a performanc­e that is at once funny, cringe-worthy, eye-opening and illuminati­ng.

We can’t think of any better way to round off our formal Conversati­on this spring, and to ensure that discussion­s about power, language and representa­tion spill out long into the future.

Kathryn Welch, Operations Director, Macrobert Arts Centre

 ??  ?? 0 Over 140,000 people visited the Macrobert Arts Centre last year, helping us to
0 Over 140,000 people visited the Macrobert Arts Centre last year, helping us to
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 ??  ?? support a new generation of artists to disrupt the narratives we’ve come to expect to hear
support a new generation of artists to disrupt the narratives we’ve come to expect to hear

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