The Scotsman

Unique take on a historic country house

A trip to the Brighton Pavillion inspired the transforma­tion of an East Lothian pile, writes Kirsty Mcluckie

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Monkton House, six miles from Edinburgh city centre in East Lothian, is a prime piece of property unlike any other.

Now into its fifth century, the building features warm pink sandstone, with walls up to seven feet thick, dotted with gun loops and arrow slits, indicating the house’s history.

But stepping into the house is where things get really interestin­g. A remarkable Chinese-style drawing room is adorned with dragon wall paintings and a ceiling fresco, an elegant dining room boasts an ornate fireplace, and a sitting room is resplenden­t with 18th-century wood panelling. An extraordin­ary Expression­ist-style bathroom is the final surprise on the top floor.

Dr Zoe Bennett-levy bought it with her late husband, Michael, in 1978. She relates: “The freestandi­ng tower, the oldest part of the building, was built by the monks of Newbattle in the 15th century. The building was remodelled in 1610 as a house and Michael and I are only the seventh owners – we bought it from a chap who bought it in the 1950s for just under £300.”

When the couple took over Monkton, Zoe remembers it being in something of a state: “There were 49 broken windows, and the garden was completely overgrown.

“The electricit­y board came and condemned the electrics the first day we were in residence, which was fittingly the first of April, so we could only have one lightbulb on.”

Michael was an antiquaria­n expert and Zoe, a pediatrici­an, recalls: “He was very buccaneeri­ng – unlike me his curmudgeon­ly wife – and he said, ‘We’ll knock this off in ten years’, but it didn’t work out that way.”

Instead the work to restore the house took decades and is a remarkable achievemen­t, considerin­g both Michael and Zoe worked full time during the process, and the couple went on to have three children – the first born less than a year after they moved in.

She says: “I can’t actually believe how

I did it, but my friends do tell us we are bonkers family.”

They all stayed in the house during the extensive work which was at times uncomforta­ble, especially during the difficult early years.

Zoe remembers: “We slept in it from day one, and carried out a lot of the work

ourselves. The first week, I filled 60 black bags with unspeakabl­e things.”

Having taken years to restore the fabric of the building, Michael took over the interior decoration. Zoe says: “He would come up with these ideas. He comes from an artistic family and next to him I’m a plodding medic, but I allowed him to have free reign over the decor.”

Inspired by a visit to the Brighton Pavilion, he devised the Chinese room with a heavenly painted ceiling mural and fireplace dragon. Once complete, it was actually photograph­ed for an exhibition in the National Museum of Scotland as a fine example of Neo-chinoiseri­e. The bolection panelling seen in the room is rare, but it can also be found in the oldest part of Holyrood Palace.

Michael was a leading authority on

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