The Scotsman

Kamasi Washington

Barrowland, Glasgow

- FIONA SHEPHERD

A JAZZ group filling the room has not been common currency in this old dancehall since the heyday of Barrowland house band Billy Mcgregor & the Gaybirds and guest appearance­s from the likes of Johnny Dankworth and Dizzy Gillespie. But those gatekeeper­s of groove could only have looked on in approval as repeat visitors and new converts alike converged on the ballroom floor to hail a dance band of a more cosmic hue. Forget sequence dancing – the appropriat­e response was to

follow ecstatic vocalist Patrice Quinn on her magic carpet ride through the devotional frenzy of Will You Sing and the satisfying cosmic funk and conscious message of Fists Of Fury.

Saxophonis­t Kamasi Washington has introduced a new audience to jazz not through any radical modernisat­ion programme but with the sheer joyful accessibil­ity of his blend of spiritual jazz, soul, funk and Afrobeat. That said, this was a relatively opaque set where at least some of the pleasure lay in simply beholding the skill of his band rather than the galvanizin­g power of his best material.

With his t rademark dual drummer action and the rock brawn in bassist Miles Mosley’s solos, that power was not to be taken lightly, not l east when Mosley referenced The Stooges’ I Wanna Be Your Dog. His father Ricky Washington was a more benign presence on f l eet flute during Street Fighter Mas but when the constituen­t parts came together in an exultant crescendo, it was Washington Jr’s soulful sax which resonated at the heart of the performanc­e.

 ??  ?? 0 Washington’s sax was at the heart of the performanc­e
0 Washington’s sax was at the heart of the performanc­e

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