The Scotsman

Vote Stott? We shouldn’t just dismiss the political views of ‘luvvies’

Amid the Rebus independen­ce row, Aidan Smith wonders if an actor might actually do a good job of leading the country

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I’ve always liked Ken Stott. He’s a fine actor, obviously, but we also have a couple of things in common. We shared the same dentist as boys in Edinburgh, when surgeries were grim places, waiting rooms contained not a single dog-eared copy of the Beano, and memories of the brown rubber mask jammed over your mouth just before the knockout gas took effect could still evoke a shudder half a century later. We were struggling to remember his name until I mentioned the mask. “That was it – Mr Brown,” said Stott, holding his jaw in mock pain. “And he just loved pulling teeth.”

The other thing we have in common is that we’ve both pretended to follow the rival capital football team from the one we support – me for a book and Stott to play Ian Rankin’s detective John Rebus on TV. Rankin wrote the character as a Hibs fan and Stott, a follower of Hearts, has just had to lump it and wear the scarf. Writer’s prerogativ­e and all that.

But this hasn’t stopped Stott wondering about Rebus’ politics. Indeed, he’s done more than wonder, firing off a letter to Nicola Sturgeon insisting that the grumpy gumshoe is an indyreffer and not the No voter the author claims.

This has been boiled up into a row. A “public war of words”, according to the report I read, with Stott apparently “incensed” by Rankin making the crabbit cop wear a metaphoric­al Unionist bunnet when almost everything about him points in the other direction.

What a hoot. I don’t think anyone is incensed and am sure all the participan­ts will be having a laugh about this, especially Stott, who some have felt the need to inform that Rebus isn’t actually a real person, that writers make stuff up, and that characters belong to them and not actors.

Er, I think he will know all of this. And I reckon the nub of the issue here is in the report’s headline which labels Stott a “luvvie”. You see, actors aren’t supposed to have views about anything beyond the film/play/telly programme they’re promoting. They’re not supposed to engage with the world. If they try and do this they’re ridiculed.

That was just a performanc­e! You read something right-on in the Guardian and you memorised it! You’re a bleeding-heart, look-at-mei’m-wonderful, feel-the-warmth-ofmy-sincerity, jump-on-any-cause, over-emoting git! You’re a luvvie!

Am I about to say something in defence of Actors With Opinions? I think I might be. Goodness knows I’ve met plenty without. In a previous life I interviewe­d actors all the time. They’d talk about “the work” and nothing else. They’d talk about their characters as if they were real people. They’d analyse their characters’ motivation­s like they were Sigmund bloody Freud. Then, exhausted and appalled and desperate to end this charade, I’d ask the plaintive final question that I knew to be hopeless: “So, what do you do when you’re not acting?” Always the reply would be: “Oh, I love going to the theatre and the cinema.” In other words, you watch other actors act. In other words, you’re just as insecure and neurotic as the rest, and just as much of an empty vessel as well.

So when actors attempt to fill the vessel with notions, ideas, a bit of themselves, something which angers/inspires them, anything apart from the bland piffle which forms the basis of most celebrity interviews, what do we do? We make fun of them. The actor knows he’s his own worst enemy.

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