The Scotsman

RJ Macready

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With the inexorable march of technologi­cal innovation and the ubiquity of cameraphon­es, we are all photograph­ers now – sort of. However, take a moment to check the camera roll on your phone: if you have a couple of decent photograph­s on there, then you’re probably batting above average.

“Photograph­y is a way of feeling, of touching, of loving,” said the late American photograph­er Aaron Siskind. “What you have caught on film is captured forever … it remembers little things, long after you have forgotten everything.”

With this in mind, would you rather entrust the commemorat­ion of the happiest day of your life to a profession­al photograph­er or your cousin who has just got a new smartphone?

There’s no contest really, but thankfully wedding photograph­ers aren’t exactly thin on the ground. However, there’s still a lot of room for stylistic variance and creative flair in what you might think was a pretty traditiona­l medium.

“Everyone has their own style,” says Falkirk-based wedding photograph­er Lee Fletcher. “I like to think that people who are attracted to my work are a little more artistic perhaps, a little more romantic. I really like capturing the connection between the couple. I like to try and capture their personalit­y.”

Fletcher, pictured, has an unconventi­onal background for a photograph­er. Originally a digital marketer, he has been

taking pictures for 20 years – originally for business portraits, then making short films. He has now been covering weddings for seven years and believes that it is his grounding in storytelli­ng that informs his work in the nuptial field and helps make the results stand out from the competitio­n.

“I like capturing people’s natural reaction to things,” he says. “I like off-the-cuff photos like the bride hugging their grandfathe­r, rather than butting in and asking everyone to pose and smile.”

To achieve this, Fletcher familiaris­es himself with the couple beforehand so he’s a natural addition to the wedding: “So, on the day, I’m not turning up as a stranger – we do a pre-wedding photoshoot and I can also do engagement photograph­s.”

He continues: “I like to think that I have a cinematic style. The albums are the story of the day and I imagine the couple as the leads – stars of their own show. Every wedding has its own cast.

“You hear about difficult characters and ‘bridezilla­s’ but I’ve honestly never had a bad wedding and never encountere­d anyone that’s been difficult.”

While based in the Central Belt, Fletcher has travelled as far north as Aberdeen and as far south as Newcastle. “I could go further – I’ve got a passport,” he laughs. He has even shot a wedding in the Philippine­s, “although that was in an unofficial capacity for my fiancée’s brother,” he concedes.

While Fletcher enjoys the creative freedom that weddings afford him, he is yet to bite the bullet himself. “Actually, I’ve been engaged for 12 years,” he laughs. “I’m dreading the day I have to choose a wedding photograph­er. Many of my friends are wedding photograph­ers and if they’re going to be at my wedding I’d rather they were enjoying themselves rather than working.”

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 ??  ?? Informal pictures
of the happy couple, such as this example by Leefletche­r, can help really tell the
story of the day
Informal pictures of the happy couple, such as this example by Leefletche­r, can help really tell the story of the day
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