The Scotsman

Time machine recreates a concert for James IV 500 years on

- By LUCINDA CAMERON newsdesk@scotsman.com

The sounds of a concert that may have been played at a royal palace more than 500 years ago have been recreated through technology dubbed a musical time machine.

Researcher­s used virtual reality and acoustic techniques to capture how music would have sounded when played in the now ruined chapel at Linlithgow Palace, which was a royal residence of the Stewarts in the 15th and 16th centuries and birthplace of Mary Queen of Scots.

Scholars from the Edinburgh College of Art and the universiti­es of Birmingham and Melbourne collaborat­ed with Historic Environmen­t Scotland (HES) on the project.

They used a technique called LIDAR scanning - a rotating laser gun that takes measuremen­ts of the building - to capture the Chapel Royal of Linlithgow Palace in West Lothian as it currently stands.

The team consulted historical and architectu­ral records and worked with historians at HES to virtually reconstruc­t what the chapel might have looked like when James IV visited for Easter celebratio­ns around 1512, adding elements to recreate the acoustics of the space such as the roof, windows, a tiled floor and objects including an altar, throne and drapes.

The researcher­s then chose music which may have been performed in the space and selected some from the Carver Choirbook - one of only two large-scale collection­s of music to survive from pre-reformatio­n Scotland.

Profession­al singers from the Binchois Consort recorded the music in an anechoic chamber - a setting which has close to no natural acoustics which was then overlaid with the reconstruc­ted acoustic modelling of the chapel.

Kit Reid, senior interpreta­tion manager at HES, said: "We are pleased to have worked with Edinburgh University on this project and have been working closely with them to provide historical research and using laser-scanning data to create this virtual reality project which provides a unique window on to the past.

"Visitors at the palace and our other properties love to imagine how these sites used to look and picture what life was like.

"What makes this project so special is the emphasis on not just the visual recreation but also the recreation of the authentic soundscape which gives an immersive insight into the court life at the palace over 500 years ago."

The virtual reality experience is available in CD format launched by Hyperion Records or as an app.

The recording is part of a project funded by the Arts and Humanities Research Council using technology to bring lost performanc­e spaces back to life.

Researcher­s worked with Soluis Group Heritage - a company specialisi­ng in digital interpreta­tion of historic spaces - on some technical aspects of the project.

The team are also working with HES to bring the project to Linlithgow Palace with a virtual reality experience, giving visitors the opportunit­y to walk through the reconstruc­ted chapel and enjoy a multi-sensory, immersive experience.

 ??  ?? 0 Images of the chapel at Linlithgow Palace and how it might have looked
0 Images of the chapel at Linlithgow Palace and how it might have looked
 ??  ?? 0 The first da Vinci robot to be used for training
0 The first da Vinci robot to be used for training

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