The Scotsman

Deep Wheel Orcadia

Welcome to our regular feature showcasing the talents of the nation’s best writers.

- By Harry Josephine Giles

Higgie the Codd at her screens Aence sheu wis a packer: whan the Lights cam in sheu wirked the spectral refractors, prismatic acceleraet­ors,containmen­t dykes, brissan somtheen skare an lowse intae somtheen birnable. No a coorse wark – buttons an levers, mosstleens – sheu jeust needed care an the canny gy o timeen. But sheu an her pals wis aye tae loss the unavoydabl­e race wi aatomaetio­n.

Higgie wis lucky: sheu wis keepid on at the skeul tae ken the maths tae tak the coarse tae qualiefy fer maintenanc­e, so sheu wis the body lukkan eftir machines lukkan eftir Lights, an than the body lukkan eftir machines lukkan eftir machines.

Thir aalder noo, an only Higgie bade tae be a elder. Dagmar’s maed a faimly on Wolf; Kari teuk a Martian job in maet; Torsten deed an naen o them ivver spaek aboot hid; Higgie, back croppenan more wi ivry year, dellt wi codd an solder intae machines, missan the clashan, thinkan in script an circuit. Sheu monietors: here at the plant, by screen, an eftir, i’the back pew o the kirk. Sheu maks peedie adjustment­s: wha sits whar, whit wirds is needed, whan tae apply comfort an whan tae chide or spaek a truth. Sheu isno alaen. She kens sheu disno sing in tune, but at the plant an wi her screens sheu sings.

Higgie the Coder at her screens

Once she was a packer: when the Lights came in, she worked the spectral refractors, prismatic accelerato­rs, containmen­t wallfieldb­arriers, squeezepre­ssbruising something clearbrigh­tcut and loosefree into something burnable. It wasn’t roughhardn­asty work – buttons and levers, mostly – she just needed care and the skilledwis­emagicalca­utious sensecompe­tence of timing. But she and her friends were always going to lose the unavoidabl­e race with automation. Higgie was luckybless­edhappy: she’d stayed at school to know the maths to take the course to qualify for maintenanc­e, so she was the personbody looking after machines looking after Lights, and then the personbody looking after machines looking after machines.

They’re older now, and only Higgie waitstayli­ved to be an elder. Dagmar made a family on Wolf; Kari took a Martian job in foodmeat; Torsten died, and none of them ever speak about it; Higgie, back bendcrampt­wisting more with every year, delved with code and solder into machines, missing the noisegossi­p, thinking in codeprogra­mscripture and circuit. She monitors: here at the plant, by screen, and after, in the back pew of the kirk. She makes little adjustment­s: who sits where, what words are needed, when to apply comfort and when to chide or speak a truth. She is not alone. She knows she does not sing in tune, but at the plant and with her screens she sings.

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