The Scotsman

DANCE, PHYSICAL THEATRE & CIRCUS

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Sense of Centre

Dance Base (Venue 22), until 28 August

Who amongst us hasn’t sought, but failed to find, a feeling of belonging? Whether it’s to a place or people, we spend most of our lives trying to connect in one way or another. Which is why Jack Webb’s Sense of Centre, despite citing circumstan­ces very particular to his own life, feels easy to latch on to.

The work brings together four distinct parts – Webb’s recorded voice, reminiscin­g about places he has lived and his desire to feel at home there; a video backdrop of ‘white noise’ visuals which give way to footage of waves and forests; a table of miniature trees, hands and torsos that sit still on a tray or spin on a bespoke turntable; and Webb himself sharing his cerebral brand of graceful contempora­ry dance.

The action at the table is fascinatin­g. After a spell of movement, Webb returns to it time and again with renewed intent – as if this time, he’ll finally get it right and find solace. The tiny revolving figures projected onto a TV screen no doubt have specific relevance for Webb, but we can make of them what we will. Certainly the trees, both static on the tray and speeding past on-screen, evoke a sense of nature calling us home.

Some will find the slow movement of the second half over-extended and soporific, others will find it hypnotic. I was somewhere in-between. But when he does move, Webb’s wide arms and painracked face pull as back in immediatel­y. This is a man trying to find his place in the world, geographic­ally and emotionall­y, and in this intimate space at least, he fosters a connection with us. KELLY APTER

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