The Scotsman

And... this show is such an exhilarati­ng joy

- ANDREW EATON-LEWIS

DANCE AND PHYSICAL THEATRE

And

Dance Base (Venue 22), until 28 August

It begins with a traditiona­l Scottish sword dance (“to break the ice”) and then a brief history of Highland dancing and Charlotte Mclean’s childhood in Arbroath. Later on there’s another, very different sword dance, but to say more about that would be to spoil the many surprises in this exhilarati­ng, clever, sometimes jaw-droppingly bold show.

Mclean describes And as, among other things, “a homage to the earth, the cosmos, the miniscule, the magic, the meaning, the moment, the moments before and all that’s yet to come”. At its heart is a piece of contempora­ry dance which Mclean began creating while studying ballet in London and which she intends to continue performing into old age. It soon becomes clear that the dance is life itself, with all its pleasures, disappoint­ments, anxieties, fears and constant motion, sometimes joyful, sometimes traumatic. As the choreograp­hy shifts from moment to moment, so do Mclean’s themes, as the twentysome­thing reels off an ever evolving list of contempora­ry preoccupat­ions: climate change, feminism, Brexit, friendship, love, family, belonging, all those things that cumulative­ly can make you feel overwhelme­d. And then, just as the show reaches its most intense and exposing moment, and you’re wondering if she’s ok, there’s a cheeky joke to break the ice again, a phone call to her granny (an unexpected highlight), and the Spice Girls.

And deserves recognitio­n for its ambition, its humour and Mclean’s expert handling of its constant shifts in tone. It’s an impressive­ly audacious show from a talent to watch.

 ?? ?? Charlotte Mclean expertly handles And’s constant shifts in tone
Charlotte Mclean expertly handles And’s constant shifts in tone

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