The Scotsman

All-women Dracula stage show stakes a new Scottish claim

- By BRIAN FERGUSON bferguson@scotsman.com

Aberdeensh­ire will stake a new claim as the home of Dracula under plans to relocate the classic Gothic horror story there for a new stage version with an all-women cast.

The National Theatre of Scotland’s adaptation of the 125-year-old novel, which was partly written on the Aberdeensh­ire coastline by Bram Stoker, will be set in a psychiatri­c hospital.

Elgin-born playright Morna Pearson has promised a “bold retelling” of Dracula, which will be set in 1897, the year the original novel was published, and feature an an all-women and non-binary ensemble.

A co-production with His Majesty’s Theatre in Aberdeen, an all-women and non-binary ensemble will focus on a new arrival at the psychiatri­c hospital, Mina Murray, who tells her fellow patients of her terrifying encounters with Dracula.

The show will premiere at His Majesty’s in September before touring to Glasgow, Stirling, Inverness, Dundee, Edinburgh and Coventry.

An official announceme­nt from NTS states: “Set in a psychiatri­c hospital in Aberdeensh­ire in 1897, this unique Scottish adaptation places the character of Mina Murray at the centre of the action.

“Mina seeks refuge at the hospital to escape the horrors she has experience­d, retelling her encounters with the most terrifying of beasts: Dracula. Mina is joined by the patients, an allwomen and non-binary ensemble, and together they tell a unique version of Bram Stoker’s legendary tale.

“We are transporte­d to a world where immortalit­y and ultimate power is possible, even for women but with terrible consequenc­es.

“Dracula is dripping with Morna Pearson’s trademark humour, theatrical­ity, and her taste for the strange, the shocking and the grotesque. The production celebrates the novel’s gothic horror origins while, in a radical twist, allows audiences to view the story through the eyes of Mina and the patients.

“The production features atmospheri­c, gothic-inspired set and costumes designed by Kenneth Macleod and a dark, distinctiv­e score from composer Benji Bower."

The 125th anniversar­y of Stoker’s novel this year has already inspired the launch of a new “Festival of Darkness” in Aberdeensh­ire, where the author travelled to from his home in London to holiday in Port Erroll, near Cruden Bay and Slains Castle, which provided the inspiratio­n for Dracula’s Castle.

Pearson said: “I was excited to adapt Dracula and place it in the familiar setting of the north-east, the place where my writing feels at home. I wanted to examine themes of our times – fear, trauma, and powerlessn­ess – in ways the horror genre lends itself to.

“With Stoker drawing influence from Cruden Bay, it felt appropriat­e to relocate the narrative to Aberdeen and Aberdeensh­ire, exploring the area and characters I find most inspiratio­nal.

“There is room for more horror and stories from the north-east in theatre, so I am thrilled that my first largescale production is a bold retelling of Dracula set there.”ben Torrie, director of programmin­g and creative projects at Aberdeen Performing Arts, which runs His Majesty’s Theatre, said: “Given Bram Stoker’s connection­s to and love of the region, the north-east of Scotland is the perfect setting for this stunning retelling of Dracula, and a collaborat­ion between Aberdeen Performing Arts and the National Theatre of Scotland is the perfect way of bringing it to the stage.”

 ?? ?? ↑ Writer Morna Pearson is adapting Bram Stoker’s iconic horror story Dracula for the National Theatre of Scotland
↑ Writer Morna Pearson is adapting Bram Stoker’s iconic horror story Dracula for the National Theatre of Scotland

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