The Scotsman

Brian Ferguson’s diary

- @brianjaffa

Frankie Boyle sensed the mid-afternoon audience for his extra show at the Assembly Hall on The Mound might just have been a slightly different demographi­c than the one which has been packing into the Music Hall at the Assembly Hall.

He took the crowd to task almost immediatel­y for an ever-so-slightly mixed response to a gag about a well-known celebrity being struck down by a “particular­ly aggressive form of cancer” within a minute of taking to the stage.

Boyle told them: “A lot of people are unnerved by the early mention of cancer. You’ve bought the wrong ticket. This is a cancer-heavy, some would say cancerthem­ed, sixty minutes.”

Boyle went on the opposite of a charm offensive at the “polite titters” coming from the audience at the start of his show.

“I know it’s Edinburgh,” he said, “you don’t like enjoying yourselves and you sort of think you’re English, but you’re not. To the English, you’re one above the apes of Gibraltar. Lighten up.”

It’s a long road from Glastonbur­y to the Fringe but it’s one that is fairly well trodden by performers. Storytelle­r and clownish performer Arkem Mark Walton has made regular appearance­s at Glastonbur­y’s Rabbit Hole.

Walton’s bag full of costumes and a mystery green potion certainly helped conjure up a psychedeli­c atmosphere on the Blundabus venue parked next to the Potterrow underpass. There were plenty of opportunit­ies for the audience to join in and even take to their feet on the top deck of the Blundabus, even if his encouragem­ent was accompanie­d by some health and safety advice: “Take your time when you stand up as the whole bus nearly toppled over the other night.”

Three generation­s of the one family have been involved in one of the best-kept musical secrets of the Fringe.

Schoolgirl Amelie Christie is one of the stars of Queen Of The New Year, which the Kingdom Theatre Company is staging as part of Greenside’s programme. Amelie’s mother Kirsty is also production assistant on the show, which is directed by her grandmothe­r, Lorraine.

Deacon Blue gave permission for several of the band’s songs to be used in the show as long as the group’s name was not used to publicise Queen Of The New Year, which takes its name from one of their bestknown hits. The show follows the travails of a group of teenagers using a dating app to try to find love.

The Kingdom Theatre Company’s shows have become a regular Fringe fixture. Writer John Murray has previously drawn inspiratio­n from John Watt’s classic Fife folk song The Kelty Clippy, Frank Sinatra’s concert at Ibrox Stadium during Glasgow’s reign as European Capital of Culture, and the late Bon Scott, the Scottish singer who emigrated to Australia and became AC/DC’S frontman.

 ?? ?? Edinburgh came in for some Frankie Boyle savagery at the Assembly Hall on The Mound
Edinburgh came in for some Frankie Boyle savagery at the Assembly Hall on The Mound
 ?? ??

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