The Scottish Mail on Sunday

Why what David Attenborou­gh told BBC viewers about this raging orangutan fighting a digger is only part of the truth

And, says DAVID ROSE, that’s just one of a string of troubling flaws in the great naturalist’s ‘alarmist’ new documentar­y

- DAVID By ROSE

ONE of the most talked-about programmes of the past week – a primetime documentar­y on BBC1 – featured two people many seem to regard as living saints. One was the presenter, Sir David Attenborou­gh, the other Greta Thunberg, the Swedish teenage activist inspiring climate change ‘school strikes’ in several countries, including Britain.

The film’s title was Climate Change: The Facts, and these, Sir David claimed, are now ‘incontrove­rtible’. The film’s message was so bleak it could have been made by Extinction Rebellion, the eco-anarchist protest group which has brought Central London to a standstill.

No one has done more to convey the marvels of the natural world than Attenborou­gh, and his long career has rightly earned him public acclaim. Sadly, on this occasion, I believe he has presented an alarmist argument derived from a questionab­le use of evidence, whose nuances he has ignored.

According to Sir David, climate change, is the ‘greatest threat’ to humanity in thousands of years. ‘We are facing the collapse of our societies,’ he intoned, insisting we ‘must all share responsibi­lity… for the future of life on Earth.’

Attenborou­gh is about to turn 93, while Thunberg is just 16, but they issued the same warning. ‘It’s our future and we can’t just let it slip away from us,’ she told viewers. Yet ‘nothing is being done, no one is doing anything’.

The film rounded off a week which had already seen the BBC invite Extinction Rebellion extremists on to its news shows to expound the message – without serious challenge – that unless we cut greenhouse gas emissions to zero by 2025, ‘our children will die’.

Last year, the BBC issued guidelines instructin­g editors that inviting comment from ‘climate change deniers’ was ‘false balance’. In practice, this has meant that those who accept climate change is real, but less threatenin­g than some such as Attenborou­gh claim, have effectivel­y been banished from the airwaves.

Now the Corporatio­n has given acres of airtime to protesters demanding the overthrow of democratic government­s and an almost immediate end to fossil fuel-derived power, heating and transport – in other words, the abrupt terminatio­n of civilisati­on as we know it.

Thunberg has become a global media darling, her pronouncem­ents cherished as if they were holy writ. ‘I want you all to panic,’ she told the Davos economic forum in January: and Attenborou­gh’s film may well have persuaded viewers to do just that – and, perhaps, to join the Extinction Rebellion barricades. Watching it did fill me with horror, but not at the threat from global warming. It was at the way Sir David and the BBC presented a picture of the near future which was so much more frightenin­g than is justified.

Climate science remains a field riven by deep uncertaint­ies. The film largely glossed over these – and where faced with alternativ­es, it plumped unerringly for the most pessimisti­c version of the ‘truth’.

Let me be clear: I am not a ‘denier’. Global warming and climate change are real, in large measure caused by humans. According to the UN Intergover­nmental Panel on Climate Change (IPCC), our emissions were responsibl­e for more than half the 0.6C – 0.7C global average temperatur­e rise recorded between 1951 and 2010.

But I am also convinced that the ‘panic’ Thunberg desires and Attenborou­gh’s film will encourage is not helpful when it comes to making policy designed to tackle it. Moreover, it is a grotesque travesty of the truth to claim that ‘nothing’ has been done: for example, since 1990, UK emissions have fallen by 43 per cent, according to the Government’s Committee

on Climate Change. Not only that, Government statistics say 56 per cent of our electricit­y came from low carbon sources in 2018, our last coalfired power station will close in six years and the Government has pledged to ‘decarbonis­e’ electricit­y by 2030.

Above all, the Climate Change Act requires Britain to reduce its 1990 carbon emissions by no less than 80 per cent by the year 2050, making us the first major economy to make such a dramatic commitment. To say that ‘nothing’ has been done is as risible as it is dishonest.

One of the film’s most questionab­le aspects was its claim that extreme weather events such as floods and storms have already got worse and more frequent, thanks to global warming, along with wildfires.

It did say that attributin­g reasons to any single event is difficult, and derived from probabilit­ies. But in the words of interviewe­e Michael Mann, a US climate scientist, the effects of climate change are ‘playing out in real time’, and are ‘no longer subtle’. Cue images of monster waves and hurricanes, accompanie­d by doomy music.

But is this true? The IPCC, regarded by mainstream scientists as the world’s most authoritat­ive source, says there have been some changes, such as higher rainfall. But its Fifth Assessment Report, published in 2013, stated there are ‘no significan­t observed trends in global tropical cyclone frequency over the past century’. It added: ‘No robust trends in annual numbers of tropical storms, hurricanes and major hurricane counts have been identified over the past 100 years in the North Atlantic basin.’

A separate IPCC report last year said that cyclones in the tropics would in future be less numerous, although some would be stronger.

In 2014, a group of IPCC experts published a paper about flooding. So far, they said, ‘no gauge-based evidence has been found for a climate-driven, globally widespread change in the magnitude/frequency of floods.’

ANOTHER memorable segment of the film showed a father and son narrowly escaping from one of several devastatin­g fires last year in California. These, too, were ascribed to global warming. Surprising­ly, several recent scientific papers suggest that wildfires have been declining in recent years – even in California, where statistics gathered by the local agency, Calfires, says the number across the state has roughly halved since 1987, following a peak in the 1970s.

According to a study published by the Royal Society in 2016, ‘many consider wildfire as an accelerati­ng problem’. In reality, however, says the study: ‘global area burned appears to have declined in past decades, and there is increasing evidence that there is less fire in the global landscape than centuries ago.’

Equally questionab­le was the film’s claim that global warming is triggering a wave of extinction­s, with eight per cent of species under threat solely because of it. This also appears to oversimpli­fy the findings of the IPCC, which said in 2014: ‘There is low confidence that rates of species extinction­s have increased over the last several decades.

Most extinction­s over the last several centuries have been attributed to habitat loss, overexploi­tation, pollution, or invasive species. Of the more than 800 extinction­s documented by the Internatio­nal Union for Conservati­on of Nature, only 20 have been tenuously linked to recent climate change. It says: ‘Overall, there is very low confidence that observed species extinction­s can be attributed to recent climate warming.’

The IPCC is clear that further warming will make things worse, but has found ‘low agreement’ over which species are at risk, and when extinction­s might occur.

Attenborou­gh made yet another contentiou­s claim about corals, claiming that one third of the world’s reefs have perished due to ‘heat stress’ in the past three years. It is true that the record high temperatur­es recorded during the powerful ‘El Nino’ event of 2015/16 – which saw the central Pacific warm by several degrees and drove warmer weather elsewhere – damaged corals badly. But many have begun to recover, including those of the supposedly moribund Great Barrier Reef.

I suppose it could be argued that this film merely jumped the gun a little, by portraying climate impacts which, while not discernibl­e yet, soon will be. But here we must turn to its most provocativ­e claim of all – that IPCC computer model projection­s show that, by the end of this century, world average temperatur­es will be between three and six degrees higher than now. Needless to say, this would be devastatin­g.

In fact, the IPCC issues not one but four such projection­s, each one showing what would happen with differing levels of future greenhouse gas emissions.

The most pessimisti­c – known in the trade as ‘RCP 8.5’ – suggests that by 2100, the world would indeed be much hotter: according to the 2013 IPCC report, between 2.6 and 4.8 degrees above the average between 1986 and 2005.

This, of course, is lower than the 3-6 degree range predicted by Attenborou­gh.

Meanwhile, there is evidence that RCP 8.5 is almost certain not to take place. First, it posits population increases far higher than those now thought likely by many demographe­rs.

UN forecasts claim the global population will reach 11billion by 2100, but several expert teams now say falling birthrates

mean it will peak much earlier. ‘It will never reach nine billion,’ says the eminent futurologi­st Jorgen Randers. ‘It will peak at eight billion in 2040 and then decline.’

For the RCP 8.5 prediction to become a reality would also require a massive increase in the use of coal, and the reversal of the emissions cuts which many countries have already achieved. All of which means the world is more likely to conform to what are known as RCP 4.5 or RCP 6. Under RCP 4.5, the IPCC says, the ‘likely’ range of warming by 2100 would be between 1.1C and 2.6C; under RCP 6, between 1.4C and 3.1C.

A BBC spokespers­on said yesterday that the film said the 3-6 degrees of warming was a reasonable estimate given the current emissions trajectory, and said emissions ‘have been following the RCP 8.5 curve rather than the alternativ­es.’ Under this, an upper limit of 6C was possible.

She added: ‘The film sought to make clear that scientists don’t know exactly what may happen.’

I’m not trying to argue that climate change is trivial, nor that the world doesn’t need ‘action’ to deal with it. On the other hand, we have already seen what can happen when ‘panic’ determines policy: the introducti­on of measures conceived by a need to be seen to be doing something under pressure from groups such as Extinction Rebellion.

Without making this clear, the film revealed one of the worst examples of this unfortunat­e effect. A powerful sequence showed an orangutan, fleeing loggers who have been eradicatin­g Borneo’s rainforest. This is disastrous for both wildlife and the climate because, as the film pointed out, a third of global emissions are down to deforestat­ion, because giant trees lock up a lot of carbon.

But why are Borneo’s forests being cut down? The reason, as Attenborou­gh said, is palm oil, a lucrative crop used in products ranging from soap to biscuits. Unfortunat­ely, he left out the final stage of the argument. Half of all the millions of tons of palm oil sent to Europe is used to make ‘biofuel’, thanks to an EU directive stating that, by 2020, ten per cent of forecourt fuel must come from ‘renewable’ biological sources. Malaysia says this has ‘created an unpreceden­ted demand’.

TO PUT it another way: misguided ‘action’ designed to save the planet is actually helping to damage it – although the EU has pledged to phase out palm oil biofuel by 2030. Another example of a misconceiv­ed effort to save the planet is Drax power plant in Yorkshire which is fed, thanks to £700 million of annual subsidy, by ‘renewable’ wood pellets made from choppeddow­n American trees – while pumping more CO2 into the atmosphere than when it burnt only coal. In theory, the trees it burns will be replaced – but a large part of its supply comes from hardwood forests that take 100 years to mature.

There are times when climate propaganda – for this is what this was – calls to mind the apocalypti­c prophets of the Middle Ages, who led popular movements by preaching that the sins of human beings were so great that they could only be redeemed by suffering, in order to create a paradise on earth.

Perhaps this is how Attenborou­gh, nature journalism’s Methuselah, sees himself. But climate change is too important to be handled in this manner. It needs rational, wellinform­ed debate. Too often, cheered on by the eco-zealots of Extinction Rebellion, the BBC is intent on encouragin­g quite the opposite.

 ??  ?? In the film, an orangutan bounds along a felled tree trunk towards the digger bucket in a Borneo forest
In the film, an orangutan bounds along a felled tree trunk towards the digger bucket in a Borneo forest
 ??  ?? ‘ALARMIST’: Sir David Attenborou­gh issues his bleak warning in the show
‘ALARMIST’: Sir David Attenborou­gh issues his bleak warning in the show
 ??  ??
 ??  ?? The orangutan makes a desperate grab for the machine as it tries to crush the tree The digger arm is raised and the animal tumbles on to the forest floor
The orangutan makes a desperate grab for the machine as it tries to crush the tree The digger arm is raised and the animal tumbles on to the forest floor

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