The Scottish Mail on Sunday

THE BEST NEW FICTION

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History Miles Jupp

Headline £16.99

It is not hard to identify with poor Clive, the bumbling hero of this wellobserv­ed first novel. He teaches history at a minor public school and has a wife and two kids. A decent, sensitive man, he’s doomed to mediocrity, until an upsetting incident with a pupil makes him question his priorities. Jupp writes well, and though the story never really gets out of second gear, he has fun skewering the absurditie­s of public-school life.

Max Davidson

The Country Of Others Leïla Slimani Faber £14.99

When Mathilde marries a Moroccan man she met during the Second World War, she moves from France to his unpromisin­g farm while his homeland contemplat­es independen­ce.

Slimani’s economic prose creates a patchwork portrait of their lives in intimate detail, as extended family and other dependants crowd in on them, and violence inside the home reflects civic tensions outside it.

This first volume of a trilogy not only shows us a vanished world, but also explores why it vanished.

Tom Payne

Mrs March Virginia Feito Fourth Estate £14.99

Mrs March’s husband, George, has written a novel that all of New

York is talking about. Unfortunat­ely, its heroine – a prostitute, no less – seems to be based on her. That’s not the only thing bothering the fastidious

Mrs M: she also suspects George’s involvemen­t in the murder of a young woman. What this debut novel lacks in originalit­y, it makes up for with everratche­ting suspense and horror-tinged twists as its Upper East Side heroine lurches towards madness.

Hephzibah Anderson

The Turnout Megan Abbott Virago £14.99

Abbott’s fiction focuses on femininity’s darkest corners and the world of ballet – obsessive and masochisti­c – is perfect territory for her. The Turnout, set in an unnamed American city, centres around two sisters running a ballet school and the two men in their lives; one who’s been there for ever and one who threatens everything they have. Slow-burning and feverish, with all the intensity of a classic American film noir.

John Williams

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