IAN RANKIN
brain. In January he was fitted with a device (which Johnstone likens to a metal cocktail umbrella) in his heart which sealed the hole.
“I had an overnight stay in hospital and an examination by a physio and an occupational health therapist, and given blood thinners and statins. I started to feel a lot better and was out for walks within a couple of weeks. I’ve got a slight sensitivity to noises from different directions, it’s almost like I struggle to deal with background noise,” he says.
“The problem seems to be when there’s a jumble of noises from different sources. The first time I noticed this was when I was sitting having tea with my family and my two kids who were basically talking over each other. They were quite loudly arguing about something as kids do and I just had to say, ‘Guys, can you be quiet because I can’t deal with it, I’m going to have to leave the room’. It’s actually a good excuse to tell them to shut up! The thing is I’ve not been to the pub yet so we’ll see how I get on in the real world when things open up.”
Within a couple of months of his stroke Johnstone was back at his trusty desk in his loft, producing the kind of classic Tartan Noir which has put him in the same bracket as rivals – and friends – Christopher Brookmyre and Val Mcdermid.
“There are some massive big-hitters on that list every year and this year is no different – there’s Ian Rankin, Val Mcdermid and Mark Billingham on there,” adds Johnstone. “It’s a big honour to be name-checked in the same list as those guys so I was very happy indeed. The crime-writing community is quite small and we all know each other, I’ve been doing it since 2006 so we’re all good pals.
“I suppose it is a rivalry but at the same time, it’s not. Writing is a solitary existence, you sit in your wee office writing stories and the only time you get to be sociable is a crime-writing festival with these other authors, so these are my mates. There’s been a bit of back and forth on that but it’s all very good-natured.”
The knives aren’t out yet among the crime writers which is just as well given Johnstone is in a rock band with seemingly most of the UK’S leading proponents of the genre.
Along with Mcdermid, Brookmyre, Billingham, Stuart Neville and Luca Veste, Johnstone is part of the Fun Lovin’ Crime Writers. The group were due to tour last year and were even set to play Glastonbury, on the same bill as Janet Jackson, The Chemical Brothers and Liam Gallagher, before Covid forced its cancellation.
Johnstone is recording his own solo record, too, and the polymath is also branching into new areas of fiction, perhaps inspired by his degree in theoretical physics. He’s working on his first science fiction novel which he describes as “Thelma And Louise meets ET set in Scotland”.
“I’ve always kind of baulked at writing science fiction partly because it looks like an awful lot of hard work,” he explains. “There’s a lot of world building. There’s extra creativity you have to put in, and probably a lot more research than you have to do for the books I normally write. I just eventually thought, ‘well you know, if not now then when?’ I’ve always wanted to do it. You’re always trying to challenge yourself with your writing, you’re always trying something new and something different from what you’ve done before.
“I’m always trying to think outside my comfort zone. If you get too comfortable, you just end up churning out the same stuff and that’s not particularly healthy.”
The 24th Rebus crime novel, A Song For The Dark Times, saw the veteran detective leave his native Edinburgh to head north in order to investigate a man’s disappearance; his daughter is the chief suspect.
If Rankin’s latest book wins it will be the first time the author, who has sold 30 million copies, has won the Crime Novel Of The Year award.
The book remains a hit more than six months after release and was top of the best-sellers’ list last week.