Golden shots: Photographer on choosing the finest A-list frame
Andygottson getting behind celebrity gloss
Three decades ago, Stephen Fry visited Norfolk College of Art and Technology to speak to its photography students. At the end of his talk, Fry asked if any had a question, and the arm of one, Andy Gotts, shot into the air. He had a simple question that would change his life: “Can I take your photo?”
Blown away by Gotts’ self-assurance, Fry introduced the aspiring teenager to many of his famous friends. Now Gotts is one of the most sought-after celebrity photographers in the business, and has framed the likes of Robert De Niro, Naomi Campbell, and Kate Winslet
with a Caledonian collection including Peter Capaldi, Richard Madden and Ewan Mcgregor.
To celebrate his 30-year career milestone, Gotts has put together a new collection called Icons, which has launched with a new book and an exhibition at London’s prestigious Maddox Gallery this weekend. He said: “Icons came about from an idea I had when I was in the infancy of my celebrity photography, three decades ago. I looked around at the modern celebrities that interested me and people I personally classed as an icon, whether itwasamovie that shaped my formative years or maybe a song that provoked a memory. These are not necessarily the universally agreed definitive list of icons, but they are my icons”.
Gotts’ photography style is distinctively personal, often showing stars as we have never seen them before, pulling goofy faces or giggling at a joke Gotts has just told them off camera. Gotts rejects the pomp of traditional celebrity photoshoots, stripping back his own to the bare minimum, with Paul Newman christening him One Shot Gotts during what turned out to be a surprisingly brief photography session for the legendary actor. Gotts chooses not to employ assistants and famously never retouches his photos.
Gotts said: “I am trying to get something exciting and new from these world-renowned faces that have been photographed a zillion times, and ultimately, they all want to walk away with a good shot. A photo shoot is a little bit of a dance. I bring 50% to the shoot and I would like my subject to bring 50% to the shoot, then somewhere in the middle we do a little dance and try to create something special.
“I choose not to edit my portraits. When you look at one of my prints you see exactly how that person looked the day they sat in front of my lens. When my camera goes click I am capturing a moment in time that will never, ever, be repeated. This is what I want viewers of my work to experience, and for it to feel as if they were peering over my shoulder at the shoot, seeing exactly what I saw.”