The Sunday Post (Inverness)

The dogged work of one detective is worth rememberin­g in case that should never be forgotten

ON STEPHEN Journalist salutes the detective who refused to give up on justice

- BY MARK DALY Investigat­ions correspond­ent, BBC Scotland

The name of Stephen Lawrence is one of the most familiar in modern British history.

No one can be unaware of how the black teenager was murdered by a gang of racists in 1993, and how his courageous and indomitabl­e parents, Doreen and Neville, fought for justice as police investigat­ions slowed and stalled, again and again.

But Clive Driscoll? His name is not so familiar. He is the old-school London detective who finally brought two of Stephen’s killers to justice and I was delighted to learn ITV were dramatisin­g his investigat­ion. The final episode of Stephen airs tomorrow with Steve Coogan playing the gravel-voiced, hard-bitten Driscoll.

Much of my career has been spent investigat­ing racism in the police and much of that work has, one way or another, revolved around the death of Stephen Lawrence and the repeated and abject failures of Metropolit­an Police to properly investigat­e the murder and deliver justice to Stephen’s family.

Those failures led to the inquiry by Sir William Macpherson in 1998 when, in a watershed moment for UK race relations, the recently-retired high court judge, a meticulous Scot, concluded the action and inaction of the Met was due to institutio­nal racism. That damning epithet has coloured the perception of UK policing ever since.

Macpherson’s report was the inspiratio­n for the BBC’S Secret Policeman investigat­ion, when I spent eight months undercover as a recruit to expose racism in Greater Manchester Police, when I encountere­d virulent, general racism in the ranks along with a nasty and specific antipathy towards the Lawrence family prompted, apparently, by how their fight for justice was impacting on the image of policing.

One of my colleagues, PC Rob Pulling, was filmed cutting holes in a pillow slip and aping a Ku Klux Klansman after making a series of obscenely offensive remarks about the Lawrences. He was, along with another nine officers, drummed out of the force after the broadcast of our film in 2003.

Two years later, I started investigat­ing the murder of Stephen. The case was then officially dormant, after a number of reviews and reinvestig­ations had failed to yield enough new evidence. Our investigat­ion, The Boys Who Killed Stephen Lawrence, revealed a number of new leads, drove a bus through the alibis of the prime suspects and seemed to focus the minds of the Met.

Fortuitous­ly, our film came just as Driscoll started to take an interest, so when he asked to meet, I was delighted. Our film pointed the finger firmly at the chief suspects, but that’s as far as we could go. This needed a complete reinvestig­ation and Clive said he was the man to do it. I believed him.

When we met he wanted to talk about how we had dramatised Stephen’s attack.

For our film, we tried to recreate what happened as accurately as possible. We had seen

statements that revealed the attack on Stephen had been sustained and brutal, lasting up to 25 seconds, and that’s how we portrayed it in the film.

Driscoll was obsessed by this, and wanted to know more about why we had done it. He was convinced such a sustained attack must have left a forensic trace and that was what would provide the breakthrou­gh. He ordered a complete forensic review, by a new team of independen­t scientists and they discovered a drop of Stephen’s blood on a jacket belonging to Gary Dobson, and other fibres linked to David Norris.

It was enough to take two of the five chief suspects to trial. I remember sitting in the Old Bailey watching it unfold, and ITV’S Stephen has captured the drama of it but also the justice in it, the feeling that finally there had been, however late, however partial, an accounting for the wrong that had been done, the terrible crime that had been committed.

Coogan captures Driscoll, this understate­d but driven detective as he chases down every lead, while managing to keep the grieving Lawrences on side. They, naturally, feared being let down by the Met once again, and were at first unsure whether to trust anyone with a badge. He won them over, and delivered on his promise not to rest until justice was done.

Dobson and Norris were found guilty and sentenced to life in 2012 when Driscoll was commended by the judge, who urged him to continue his investigat­ions into the other suspects. That would not happen and, having served 32 years, he was told his service was no longer required.he believes he was effectivel­y forced into retirement.

The investigat­ion was given to another detective but no more progress was made and the case is again dormant. At least three of Stephen’s killers are yet to be convicted. This troubles Driscoll, and, I suspect, always will.

A humble man, he is a little mortified at this latest brush with fame but those of us with some knowledge of the case, and that is, in truth, all of us, should be glad he is being given this attention and acclaim.

The work of DCI Driscoll is worth rememberin­g in this atrocious case that should never be forgotten.

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 ??  ?? From top: Clive Driscoll; Steve Coogan playing him in Stephen; and Mark Daly undercover as a police recruit
From top: Clive Driscoll; Steve Coogan playing him in Stephen; and Mark Daly undercover as a police recruit
 ??  ?? Sharlene Whyte, who plays Doreen Lawrence, beside Stephen’s portrait
Sharlene Whyte, who plays Doreen Lawrence, beside Stephen’s portrait
 ??  ?? Stephen Lawrence
Stephen Lawrence

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