The Sunday Post (Newcastle)

Thomas Joshua Cooper has travelled to the ends of the earth, literally, to capture his spectacula­r images.

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The photograph­er’s acclaimed career has been spent taking spectacula­r, evocative images of the most extreme locations surroundin­g the Atlantic Ocean. Over the last three decades, he’s framed rocks, ice, sea and sand using the same bulky, large-format camera dating from 1898.

Taking a single exposure at each location, the photograph­er, above, who cannot swim despite his acclaimed seascapes, develops the negative and prints by hand back in his Glasgow darkroom.

The photograph­s, a series of which is on display at the Scottish National Portrait Gallery, contain an unintentio­nal poignancy – each point will be underwater within 35 years due to the climate crisis.

California-born Cooper made Scotland his home having founded Glasgow School of Art’s Fine Art Photograph­y Department in 1982.

He said: “I have worked most of my life on this project and having an exhibition at the National Galleries of Scotland is the first time I have been able to show the work in my adopted homeland. I am hugely pleased and very grateful for this opportunit­y.”

Cooper has set foot on uncharted land masses through his work, earning him naming rights of previously unknown islands and archipelag­os. The only artist to have ever photograph­ed the two poles, he refers to this body of work as The World’s Edge – The Atlas Of Emptiness And Extremity.

Thomas Joshua Cooper: The World’s Edge is at the Scottish National Portrait Gallery until January 23

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