The Sunday Telegraph - Sunday

WONDERS ANCIENT AND MODERN

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The English are an ingenious lot. These days, few people rely on craft skills for their existence; thumbs, developed by repeated use of mobile devices, are set to become more important digits than fingers. But we are hard-wired to admire ingenuity in others. This can be the ingenuity of the past, displayed, with brio, in the collection­s of Waddesdon Manor. I’m no less awed by the feats of our remote ancestors, wondering how they could possibly have raised Silbury Hill with only antlers to use as spades. Today, science provides us with some of the greatest wonders: the Millennium Seed Bank at Wakehurst Place provides a hedge against the extinction of plant species around the world.

How amazing that after 900 years the Hospital of St Bartholome­w, otherwise known as Barts, still fulfils the charitable purpose for which it was founded, on the same site, by a courtier turned monk in the reign of Henry II. Only, rather better, given advances in medical science: it is now a flagship of the National Health Service and one of the great teaching hospitals of the world. We can be proud of Barts.

We can be proud of the excellence of the Royal Opera House, whether opera is our bag or not: opera is hugely complicate­d, as well as costly, to stage well, and all the effort and expense will be wasted if it fails to deliver the emotional punch that audiences expect. Covent Garden production­s are knockouts, more often than not. Around the corner from the Royal Opera House is Neal’s Yard Dairy, centre of the British cheese revival, which has defied all expectatio­n by making a gastronomi­c desert bloom.

Market towns – even unsung ones such as Louth – continue to offer an ideal of civilised existence. Time present and time past are both present in Little Gidding, as they were for T S Eliot and Charles I. The red kite is a phoenix that has arisen from the ashes of local extinction to excite anyone who sees this massive bird (whose name, I now realise, has nothing to do with the kite shape of its tail feathers).

The Elgin Marbles, a dazzling human achievemen­t, are displayed in the most appropriat­e possible setting for such a work: a museum that brings together the cultures of the world to enrich the meanings of its holdings and provide inspiratio­n to the nearly seven million people who visit it for free each year.

These are things that bring about an unconditio­ned response. You see them, you cannot help feeling an emotion – or so it is with me. The ancient buildings that survive at Ewelme in Oxfordshir­e, the legacy of a medieval palace, are moving as well as beautiful; it is wonderful that they continue in their original uses. In their completely different ways, the Foundling Hospital and the Cabinet War Rooms contain objects that evoke great human dramas, on the small scale and on the epic. The London Library – please pause a minute while I genuflect before the wisdom that radiates not just from the rows of worn book spines but, yea, the metal floors that clank as readers walk over them, the leather armchairs in which readers have been known to fall asleep. The drone of the bumblebee brings with it deckchairs, Pimm’s, dahlias – all summer is contained within that Bombus buzz.

Buxton Opera House, like all Frank

Matcham’s many Edwardian theatres, lifts the spirits; as does, from sheer unexpected­ness, the Halifax Piece Hall – Yorkshire’s Plaza Mayor. The BBC does its best to exasperate those who would be its friends; I object to the profligacy with which it pays for stars and entertainm­ent that do not enrich the nation’s media diet and would be better broadcast by commercial stations.

Call me old-fashioned, but surely the BBC exists to plug the gaps that the commercial sector leaves unfilled. And yet the sound of a newsreader has the same effect as a British Airways pilot – unexcitabl­e, unflappabl­e, understate­d – and I breathe easily knowing a higher power is in control. However infuriatin­g the organisati­on, you know, deep down, how much you would miss it.

Like the Queen, some things are just irreplacea­ble. They are truly crown jewels.

These things bring about an unconditio­ned response. You cannot help feeling an emotion

 ??  ?? SUBLIME The Heaven Room at Burghley House, near Stamford in Lincolnshi­re
SUBLIME The Heaven Room at Burghley House, near Stamford in Lincolnshi­re

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