The Sunday Telegraph

Who can tame this bewilderin­g monster?

As the National Trust begins its search for a new leader, the time has come to take an imaginativ­e leap

- CLIVE ASLET T Clive Aslet is a former editor of Country Life

The head hunters are being found; the Rolodex of contacts is being consulted; the race to replace Dame Helen Ghosh as head of the National Trust has just begun. It’s a key job for an institutio­n now routinely painted as in crisis. So who should get it?

Neither the answer, nor the job, is straightfo­rward. National Trust members now number almost five million, making them a powerful force, if one with a host of different agendas. Then there’s the sensitivit­y of the position. The Trust has a unique role in defining our national identity – from fell walking via noble architectu­re and a lingering high mindedness to Victoria sponge. No other country possesses an institutio­n that is remotely comparable in scale and scope. No other country would ever try to create one. Then there’s the undeniable fact that this venerable and precious institutio­n is coming in for a great deal of stick. I even had a pop myself, a couple of years ago, about the lack of curatorial rigour in the country houses. Whether it’s bean bags at Ickworth House, a sensitive farm in the Lake District, the recent fuss over the requiremen­t for volunteers to wear Gay Pride badges at Felbrigg, the stories add up – however unfairly – to give an impression of malaise.

Let’s begin with a job descriptio­n. As soon as you start on one, you realise how impossible the task can be. The Trust is, as Henry James said of War

and Peace, a baggy monster, epic in scale and bewilderin­g in variety. Open countrysid­e, stately homes, opulent collection­s, writer’s retreats, Georgian mills, working class back-to-backs, holiday cottages, 618,000 acres of tenanted farmland, nearly 600 miles of coast – these are a vast inheritanc­e, haphazardl­y acquired and requiring special knowledge, whether of watermeado­ws, tapestry conservati­on or (at Waddesdon) a musical automaton in the shape of an elephant.

And the responsibi­lities grow more numerous every year. Once the Trust was expected to do little more than care for its properties and open spaces. Now the park at Knole is a Site of Special Scientific Interest, home to a rare species of ant.

Not that the Trust’s director general needs to know every detail of the holdings: Dave Lewis, chief executive of Tesco, can’t know every jar of pickle in the store. But unlike Tesco, the Trust is not only answerable to its shareholde­rs (ie members) but volunteers too. And you just can’t manage volunteers, it’s like herding cats – which is a problem because the Trust relies, wonderfull­y, on tens of thousands of them.

Next comes the key question. What’s it all for? Again, Tesco has a clear purpose – pile ’em high and sell ’em cheap, in the words of its founder. The Trust is riven by paradox and internal contradict­ion. The aesthetic camp is at perpetual loggerhead­s with the out-of-doors camp. Local distinctiv­eness is valued – but so are high standards of scholarshi­p that can only be provided from the centre. Some visitors want a good day out, a place to let children off the leash or entertain the elderly; others expect a soul-refreshing experience of solitude in nature, or intellectu­al stimulatio­n from historic displays.

Who is up to the task? With a salary of £185,000, we can eliminate chief executives of FTSE companies, who earn millions. The last two DGs, Dame Helen and Dame Fiona Reynolds, came from the civil service; they were used to running big department­s but not, perhaps, giving inspiratio­n. They both came with liberal agendas, and not much detailed knowledge of the properties. It’s time for a change.

To restore confidence in the Trust requires the leap of faith made by the trustees of the V&A when they appointed Tristram Hunt. Zac Goldsmith? What an opportunit­y for him to pursue his green agenda. A Tory wouldn’t harm. Simon Thurley, late of English Heritage, must be on the list; he’s an accomplish­ed historian as well as TV performer – although English Heritage did undergo an amoeba-like division on his watch (Historic England now fulfils the planning function).

The front-runner for my money is the museum director Tim Knox; not only is he a famous connoisseu­r, but his partner, Todd Longstaffe-Gowan, is a landscape architect. This would be a loss for the Fitzwillia­m Museum, Cambridge, where Knox has only recently become director. But the seemingly gentlemanl­y world of the Trust can also – witness the meanspirit­ed savaging of Dame Helen – be ruthless.

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