The Week

Best books… Jackie Kay

- Sula

The poet and former Makar of Scotland chooses her favourite books. Her new collection, May Day (Picador £10.99), is out now. She will be appearing at the Charleston Festival on Thursday 16 May (charleston.org.uk)

by Toni Morrison, 1973 (Vintage £9.99). I love all of Toni Morrison’s extraordin­ary work, including her essays. But Sula is my comfort read. Every time I return to it, I marvel at the depiction of the friendship between Sula and Nel, at the creation of the place called the “bottom”, at the notion that without a creative outlet Sula’s creativity turned to destructio­n. So much packed in. So rich the prose.

The Black Unicorn by Audre Lorde, 1978 (Penguin £8.99). I return often to Audre Lorde – her essays, Zami, The

Cancer Journals – but this is the book that stole my heart. It is the most unified of all her collection­s of poetry and explores motherhood, sexuality and her African heritage in a startling way. Lorde was a true pioneer – we are all still playing catchup. “It is better to speak rememberin­g, we were never meant to survive.”

Their Eyes Were Watching

God by Zora Neale Hurston, 1937 (Virago £9.99). A gem of a book from the Harlem Renaissanc­e and, through its brilliant heroine Janie Crawford, the first novel I ever read that explores inner consciousn­ess. Zora Neale Hurston is a fabulous short-story writer and was a well-known anthropolo­gist. I love this book for the voice of the narrative; it is utterly compelling. It still feels as fresh as anything. Thank goodness Alice Walker came along and rescued Hurston from oblivion.

The Fire Next Time by James Baldwin, 1963 (Penguin £8.99). James Baldwin is another writer whose voice rings across this century.

I love his novels, particular­ly Giovanni’s Room, but this non-fiction book of two red-hot essays is as pertinent today as it was when it was first published. It is urgent and clear. Baldwin’s complex understand­ing of racism in all its forms, and of society, still illuminate­s, revealing the world we live in now.

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