UNCUT

POPPY ACKROYD

Resolve 7/10

- Brighton composer complicate­s arrangemen­ts WYNDHaM WaLLaCE

Though Resolve revolves around her piano, with accompanyi­ng woodwind and strings, Ackroyd’s third album indicates a desire to broaden ‘new classical’’s horizons. The brooding “The Calm Before” is lightened by the unconventi­onal, percussive patter of sampled clarinet keys as much as ticklish piano lines, and the brief “Stems” utilises the playful ping of wine glasses. Admittedly “The Dream” points, like earlier albums, towards Nils Frahm, and there are hints of Ólafur Arnalds in “Luna”, while on “Light” she employs her instrument’s frame – as grandbroth­ers and hauschka do – for rhythmic purposes. Nonetheles­s, enriched instrument­ation and subtle electronic flourishes make this Ackroyd’s most rewarding collection.

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