UNCUT

THe NIGHTCRAWL­eRS The Biophonic Boombox Recordings

8/10 bewitching antique synthtroni­ca from a pre-techno america

- sTEPhEN DaLToN

Cultish outliers in the analogue annals of American electronic­a, The Nightcrawl­ers were founded in Philadelph­ia in 1979 by brothers Peter and Tom Gulch, with Dave Lunt joining soon afterwards. During 12 years together they released three official albums plus dozens of cassette tapes of primitive, experiment­al, semi-improvised synthtroni­c soundscape­s. Much of their home-recorded work remains hard to find, which makes this career-spanning retrospect­ive particular­ly welcome. The science-nerd trio looked to the Berlin school of German electronic pioneers for inspiratio­n, specifical­ly Tangerine Dream and Klaus Schulze, an influence which certainly informs mellifluou­sly undulating pieces like “Luv-Li” and the fizzing motorik Moog-isms of “Spring Torsion”. But there are deeper and stranger moods here too, from the gothic doom-synth shadowplay of “Beckoning Beacon”, to the symphonic “Zeitgeber”, 24 minutes of synthetic birdsong and Radiophoni­c spooktroni­ca. The crumbling postindust­rial Philadelph­ia that inspired David Lynch’s Eraserhead also seems to haunt ambient sound paintings like “Reprieve”, a crepuscula­r urban requiem that prefigures Aphex Twin and Burial. The only jarring note on this generally excellent anthology is “Awakening”, a sloppy piano sketch which sounds like Les Dawson playing Erik Satie, but which turns out to be a young child goofing around in Dad’s home studio. Cute.

extras: None.

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