UNCUT

10 Classic Fall albums

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exTRICATe COG SINISTeR/ PHONOGRAM, 1990

A magnificen­t album, delightful to hardcore and newcomer alike. Punchy hi-fi production, a rueful ballad (“Bill Is Dead”) a nod to hip-hop (“Telephone Thing”), and every one a winner. 10/10

COde: SeLfISH COG SINISTeR/ PHONOGRAM, 1991

Possibly the last truly great Fall LP, with musical adventure and acute social observatio­n (“Free Range”; “Married. 2 Kids”) in equal measure. Slide guitar, fidgety techno and fine opener “The Birmingham School Of Business School”, too. 9/10

dRAGNeT STeP fORwARd, 1979

A field recording from inside a ghost story. After their comparativ­ely crisp debut, the band’s second record was an experiment in fidelity, a dank and literary post-punk. The likes of “Spectre Vs Rector” offered a cold and frightenin­g trip into the MES universe. 9/10

Hex eNdUCTION HOUR KAMeRA, 1992

Stretching two sides of vinyl to its absolute limit, The Fall’s fourth LP is a chilly, needle-pushing masterpiec­e: the hypnotic grooves of “The Classical” and the twopart “Winter” are stunning, while “Jawbone & The Air Rifle” might be Smith’s most evocative tale of horror. 9/10

PALACe Of SwORdS, ReveRSed (COMPILATIO­N) (COG SINISTeR,1987)

Strong comp of early singles, inc the extraordin­ary “Wings”, the B-side of “Kicker Conspiracy”. Some great bits of Slates, (cf “Fit And Working Again”) on here, too. 7/10

BeNd SINISTeR BeGGARS BANQUeT, 1986

The “pop” Fall, as complement­ed by the melodic talents of Smith’s wife Brix continued an amazing run of form. Atmospheri­c, tuneful and weird, this felt visionary work, updated for a new audience. 8/10

THIS NATION’S SAvING GRACe BeGGARS BANQUeT, 1985

The band’s second label for Beggars is an extraordin­ary work. While finding room for oddball pop gems – “Spoilt Victorian Child”; “My New House” – the LP’s strength is in its multilayer­ed longform work: “I Am Damo Suzuki” and “Paintwork”. 10/10

GROTeSQUe ROUGH TRAde, 1980

After the aggressive audio of their previous record, The Fall’s third album felt positively welcoming. With the increasing­ly melodic playing of Marc Riley, the group straddle longform self-reference (“C’n’C Smithering”; “The NWRA”) and sparky rockabilly. 8/10

fALL HeAdS ROLL SLOGAN, 2005

Smith may have later dubbed this lineup “traitors, liars and cunts” after they abandoned him in the middle of a US tour, but The Fall’s 24th studio album is a metallic, vitalic delight – “Blindness” remains a fan favourite. 7/10

yOUR fUTURe OUR CLUTTeR dOMINO, 2010

Tracked at a Castleford metal studio, The Fall’s first (and only) LP for Domino is probably the finest work by the last iteration of the group. “Bury Pts 1 + 3”, in particular, is a highlight, a hilarious glam stomp through the extremes of fidelity. 7/10 TOM PINNOCK, JOHN ROBINSON

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