UNCUT

ARIEL PINK’S HAUNTED GRAFFITI

Undergroun­d/loverboy/ Odditties Sodomies Vol 2

- ERIN OSMON

MEXICAN SUMMER 8/10, 6/10, 8/10

Motley reissues from the shapeshift­ing lo-fi pop experiment­alist: completist­s rejoice

These three LPS kick off a comprehens­ive reissue campaign from the dazzlingly prolific Ariel Pink:

Undergroun­d is the first album Pink released under the name Haunted Graffiti and was limited to 500 copies, making it difficult to track down. This reissue expands the 12-song record to 22 tracks from the period, including a few more clear-cut rock songs than is customary for the master of refraction and warp. A hissing cover of “I Love Her Still, I Always Will” by Outsiders is a welcome addition among the lineup of self-recorded avant-pop that’s at least partially indebted to Jonathan Richman. For the deepest of spelunkers, Odditties Sodomies Vol 2 is a treat. The compilatio­n picks up where

Vol 1 left off 11 years ago, excavating rarities from Pink’s softer modes throughout the course of his career, a sound that culminated in his 2012 cover of Joe and Donnie Emerson’s “Baby,” which became something of a hit. Pink’s cover of “This Night Has Opened My Eyes” by The Smiths, included here, was previously only available on Youtube, mysterious­ly stitched with footage of the 1986 film Der Rosenkönig (a mashup that has Pink collaborat­or John Maus’s fingerprin­ts all over it).

Loverboy, from 2002, is also being released, but in the same form as a 2009 reissue, making this trio two-thirds essential.

Extras: None.

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