UNCUT

MAPPE OF

The Isle Of Ailynn PAPER BAG

- SHARON O’CONNELL

8/10

Drama and dreaming on Canadian’s fine second

Despite its heavy debt to Bon Iver, Tom Meikle’s 2017 debut impressed with his use of fingerpick­ing, vocal reverb and intimate space. His follow-up makes a far more distinctiv­e mark, creating a mythologic­al world with parallels to our currently collapsing environmen­t while tapping ancestry and archaic language alike. That might suggest some bloated prog opus, but The Isle Of Ailynn is more a fever dream of orchestral pop, electronic­a, pastoral folk and Radiohead’s mutant millennial rock – lush, at times strange and admirably ambitious. Standouts are the tremulous “Estuary”, with its synth and supple vocal harmonies, and “Icovellavn­a”, at nine dramatic minutes, more of a suite than a song.

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