Vintage Rock

Wild Devils

3 DAYS IN MEMPHIS

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MISSING FINK

Although they have only been in action since the beginning of the year, Scotland’s Wild Devils seem to have a clear career path in focus and with only a few gigs behind them they unleash this tightly-packed 12" EP on the Augusta, Georgia, label Missing Fink.

All original material, 3 Days In Memphis is an assured debut and, considerin­g that their vocalist Karla Rose MacLachlan only came onboard during the summer, their individual style appears to have been establishe­d fairly rapidly.

Ignition kicks things oˆ and the template of solid rockabilly with a twisted edge is establishe­d here immediatel­y. It’s an aggressive song with a bold swagger and clearly illustrate­s that the band are confident enough to take things easy and avoid the temptation to announce their arrival with a high-speed workout. The title track follows close behind and it does increase the pace further while showcasing Karla Rose’s distinctiv­e vocal style, which manages to sound both lonesome and rebellious at the same time.

I Don’t Want No Jack n’ Coke goes for the jugular with a real snarl and manages to sound like The Cramps doing Neal Hefti’s Batman Theme while still remaining original. Things slow down with the creepy graveyard stomp of Man’s A Werewolf and sleazy grind of Look At Yourself but even these more languidly paced tracks still contain traces of rockin’ menace. The total running time is just tickling 16 minutes but there’s still space for the bluesy (and slightly naughty sounding) Hey, Honey before things draw to a close and leave you wishing for just that little bit more.

This is rockabilly for sure, but the Wild Devils don’t seem to be looking to pass themselves oˆ as revivalist­s. The bold and slightly darker sound of the whole EP sounds contempora­ry and unashamedl­y hard-edged. The hints of psychobill­y, blues and country that lurk within the group’s sound all blend together well and this does indeed create a potent introducti­on to a band that should be heading in the right direction at a dangerousl­y speedy pace. Let’s hope there is still plenty more of this type of material in the tank for when their first full album comes around.

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