Wallpaper

Barn again

In rural Alentejo, a former farm turns boutique art retreat

- PHOTOGRAPH­Y: FRANCISCO NOGUEIRA WRITER: MARY LUSSIANA

An art-filled boutique hotel in Portugal’s rural Alentejo

P ortugal’s rural Alentejo region, best known for its wide plains punctuated with whitewashe­d medieval hilltop towns and olive groves, is now home to a unique, art-filled boutique hotel, Dá Licença.

It comes courtesy of Victor Borges and Franck Laigneau, who met 12 years ago in Paris, where Borges worked as director of textiles and silk at Hermès, and Laigneau as a gallerist. The pair came across the site, a cluster of 19th-century former agricultur­al buildings, while searching for a holiday home in Borges’ native Portugal. Arriving as the fierce Alentejano sun set on the surroundin­g cork, fig and olive trees, they fell in love with the place. No matter that it was too big for a simple private retreat; the couple decided to up sticks, abandoning their Parisian existence in order to bring the buildings back to life.

Once the farm of nuns from a nearby convent and later used by an olive oil cooperativ­e, the buildings were transforme­d and extended by local architects Procale. The main house now contains three guest rooms, while the nearby outbuildin­gs have been turned into five spacious suites, two of them with private pools. A series of terraces and two further swimming pools complete the project, and offer prime spots for stargazing in the dark Alentejo night.

Borges and Laigneau designed the interiors themselves, complement­ing the dark granite floors with limewashed walls and hand-carved basins made of the local pale pink marble. Laigneau’s extensive collection of art and furniture, mostly drawn from the Scandinavi­an Jugendstil and Rudolf Steiner’s Anthroposo­phic movements, is dotted throughout the hotel and showcased in the former olive mill, which is set to open as a restaurant in spring next year. The eclectic selection includes pieces such as an antique Norwegian wooden cupboard sculpted in bas-relief by Lars Kinsarvik, a metal sculpture by contempora­ry Portuguese artist Rui Chafes, and a Steiner-influenced table by Hans Itel.∂

Dá Licença, Outeiro das Freiras, Santo Estêvão, Estremoz, Portugal, tel: 351.962 950 540, dalicenca.pt. Rates: from €270 per night

 ??  ?? THIS PAGE, THE RECEPTION AREA IS DOMINATED BY A 1960S METAL CHIMNEY, ATTRIBUTED TO ITALIAN ARCHITECT ICO PARISI. ALSO ON DISPLAY ARE A 1900 FINNISH JUGENDSTIL THRONE (FAR LEFT) AND A PAIR OF MARBLE SIDE TABLES DESIGNED BY CO-OWNER VICTOR BORGES AND CRAFTED BY LOCAL ARTIST FRANCESCO PLUMA OPPOSITE, IN THE ‘MOON CUBE’ GUEST ROOM IS A DAY BED IN THE ANTHROPOSO­PHICAL STYLE, BY HEINRICH ECKINGER, C.1940; WALL LIGHTS BY PAUL-LOUIS BRINDEAU DE JARNY, C.1910; AN OIL PAINTING BY EJNAR NIELSEN, C.1927; AND A PAINTED IRON SCULPTURE BY RUI CHAFES, NÃO ME LEMBRO DO TEU ROSTO, 2004
THIS PAGE, THE RECEPTION AREA IS DOMINATED BY A 1960S METAL CHIMNEY, ATTRIBUTED TO ITALIAN ARCHITECT ICO PARISI. ALSO ON DISPLAY ARE A 1900 FINNISH JUGENDSTIL THRONE (FAR LEFT) AND A PAIR OF MARBLE SIDE TABLES DESIGNED BY CO-OWNER VICTOR BORGES AND CRAFTED BY LOCAL ARTIST FRANCESCO PLUMA OPPOSITE, IN THE ‘MOON CUBE’ GUEST ROOM IS A DAY BED IN THE ANTHROPOSO­PHICAL STYLE, BY HEINRICH ECKINGER, C.1940; WALL LIGHTS BY PAUL-LOUIS BRINDEAU DE JARNY, C.1910; AN OIL PAINTING BY EJNAR NIELSEN, C.1927; AND A PAINTED IRON SCULPTURE BY RUI CHAFES, NÃO ME LEMBRO DO TEU ROSTO, 2004
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