Photography: Justin Carter ‘Matrices’, by Guillaume Sasseville, will feature in a 2021 exhibition of Canadian design, titled ‘Fictions’ and curated by Nicolas Bellavancelecompte, see page 038
Welcome to our January issue! In the spirit of new beginnings, this issue is dedicated to the Next Generation, the bright minds and budding talents that have captivated and inspired us.
Among them is artist Kudzanai-violet Hwami, who represented her native Zimbabwe at the Venice Biennale in 2019, at the age of 26. Her colourful portraits, often in collage formats that recall childhood cartoons and time spent on Tumblr, offer a vivid commentary on gender, sexuality and identity. Alongside a visit to her London studio, we invited Hwami to create a new painting for our limited-edition cover (available to subscribers). The result, titled Plains of the Christmas Cow, is an enlightening example of how technology has shaped the creative universe of digital natives: ‘Unrelated images borrowed from family archives and from the internet meet at junctions on the canvas,’ Hwami says. ‘The viewer is invited to fill in the gaps, much like how we fill and edit gaps of Instagram or Tumblr accounts.’
Meanwhile, our annual Graduate Directory has been reborn as ‘21 Rising Stars for 2021’. In a typical year, our editors would have scoured the graduate shows of top institutions in search of the next big thing. This time round, with many graduate shows cancelled because of the pandemic, we’ve turned to social media (while still calling on education leaders around the world to put forward their finest students). And while we miss the tactility of physical shows, and the in-person encounters that come with them, our increased reliance on the internet has resulted in a line-up that is more international, and stronger than ever before. It reminds us that diversity is more than a moral imperative: it’s a commitment that helps us unleash the full potential of a new generation.
Our 21 rising stars come from a range of backgrounds and perspectives, but they have a common belief in the social impact of creativity. From home-compostable cutlery made from kombucha waste, to an architectural proposal that addresses the precarious conditions of the world’s largest e-waste dump, and a series of photographic portraits that challenge negative stereotypes of Black women, their projects are evidence that their generation has the talent and tenacity to take on the many problems of our time. Eager to boost the profiles of these rising stars, we are publishing extended versions on our digital platforms throughout the holiday season.
Closer to home, we also shine the spotlight on ten young architectural practices in London. Slightly more established than our 21 rising stars, having had a few years to develop their ideas and prove their calibre, these founders are the new faces of a changing industry. Our architecture editor Ellie Stathaki began to profile them on Wallpaper.com this autumn, and for this print version photographer Elena Heatherwick has created a new portfolio of studio portraits that speak to their character and purpose.
Our contributor line-up for this issue also reflects the Next Generation theme. In a full-circle moment, our newsstand cover story, about a Montreal-based collective redefining Canadian design, was shot by Justin Carter, who featured in our Graduate Directory last year (W*250). We tasked four other young photographers with documenting the graduate projects of our fashion rising stars, while the portraits on our contributors’ page were created by Andrew Bastow, who went back to university in his thirties to pursue his passion for illustration, and graduated in 2020.
Finally, for our Artist’s Palate page, we invited Sean Scully to share his love of pancakes – a dish that he prepares a few times a week for his 11-year-old son. It feels fitting to start off 2021 with a breakfast staple that nourishes the next generation. Enjoy the issue, and Happy New Year!
Sarah Douglas, Editor-in-chief
Limited-edition cover by Kudzanai-violet Hwami
Photography: Catherine Hyland London-based artist Hwami’s limited-edition cover, Plains of the Christmas Cow, is meant to be read as a film reel that skips from one scene to the other. See our interview with the artist, page 044 Wallpaper* subscribers receive our artist-designed limited-edition covers each month, delivered to their door. Subscribe and save by visiting Wallpaper.com/save20