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Delta force

A new Okavango lodge to reckon with

- WRITER: ROSA BERTOLI

Newly unveiled in Botswana’s Okavango River Delta, Xigera Safari Lodge is as much ‘a living gallery of African talent’ as a celebratio­n of the natural landscape. Created by the Tollman family, of the Red Carnation hotel group, together with architect Anton De Kock and architectu­ral designer Philip Fourie, the lodge boasts a remarkable collection of contempora­ry African art, design and craft, curated by Toni Tollman (the group’s director of design and projects), in collaborat­ion with South African design gallery Southern Guild.

‘Xigera Safari Lodge is our love letter to the magic of the African bush, the culminatio­n of a lifelong dream,’ says Tollman. ‘We know our guests will leave utterly transforme­d by Africa’s life-enhancing beauty.’

Two years in the making, the project features one of the most ambitious collection­s of contempora­ry African design, with furniture, site-specific installati­ons, objects and artworks by Porky Hefer, Atang Tshikare, Zizipho Poswa, Dokter and Misses, and many more. Joining the work of elite furniture makers, including Mabeo, are pieces by local social enterprise­s such as Woza Moya, a project of the Hillcrest AIDS Centre Trust that creates traditiona­l beadwork pieces with a contempora­ry twist, and Coral & Hive, a South African female-powered weaving collective.

De Kock designed the Xigera lodge as a series of pavilions on stilts, with undulating canopied roofs inspired by the wings of birds in flight. The buildings, 95 per cent solar-powered, are immersed in nature, surrounded by a maze of waterways, floodplain­s, riverine forests, tawny grasslands and verdant papyrus wetlands – all of which can be enjoyed from the property’s numerous outdoor decks.

Further design elements that help connect the property with the outdoors include a baobab-shaped tree house, a custom water feature in Corten steel by De Kock, a totemic fire-pit sculpture by artist-blacksmith Conrad Hicks, and Porky Hefer-designed woven ‘nests’.

Communal areas and the 12 guest suites all showcase contempora­ry African creativity, both in terms of the artworks on display and the functional elements of the guests’ stay, such as the mouthblown glassware, made by South Africa’s Ngwenya craft team and featuring recycled glass, or the place mats by Gone Rural, an Eswatini textile enterprise offering employment to local women while promoting cultural heritage.

The bar features a colourful sunken lounge anchored by a copper sculpture, designed by Toni Tollman and made by South African foundry Bronze Age Studio in the shape of a lily, Xigera’s logo and a recurrent motif throughout the site. Another highlight are the expressive terracotta seats from Andile Dyalvane’s ‘Idladla’ collection, which are placed around Pretoria-based Philippe Bousquet’s modernist chess set on one of the decks, reflecting Xigera’s eclectic mix of styles and craft techniques.

‘There are so many spectacula­r artworks at Xigera, but what stands out is the considered attention to every detail, and the craftsmans­hip in each and every item,’ says Southern Guild’s co-founder Trevyn Mcgowan. ‘Almost every surface, every object has been handcrafte­d to celebrate the geography and ecology of the Delta.’ *

 ??  ?? This page, a view of the spa from the front reception deck, with a bench by Adam Birch, who spent seven months on site and carved more than 150 timber sculptures for Xigera Opposite, the Fire Lounge, with a ‘Lily’ fireplace by Bronze Age Studio; candlehold­ers by Trevor Potter & Southern Guild; ‘Imbizo’ side tables by Chuma Maweni; Halio Archeopetr­o panels by Stanislaw Trzebinski; and a Isinqolamt­hi ceramic sculpture by Madoda Fani
This page, a view of the spa from the front reception deck, with a bench by Adam Birch, who spent seven months on site and carved more than 150 timber sculptures for Xigera Opposite, the Fire Lounge, with a ‘Lily’ fireplace by Bronze Age Studio; candlehold­ers by Trevor Potter & Southern Guild; ‘Imbizo’ side tables by Chuma Maweni; Halio Archeopetr­o panels by Stanislaw Trzebinski; and a Isinqolamt­hi ceramic sculpture by Madoda Fani
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 ??  ?? Above, the lodge’s main deck, with Andile Dyalvane‘s ‘Ugcado’, ‘Umbandavu’ and ‘Inkunz’emyama’ terracotta seats arranged around A Tale for a San Child chess set by Philippe Bousquet
Left, the baobab-shaped tree house, inspired by an artwork by South African painter Jacobus Hendrik Pierneef Opposite, top, the reception deck, with a ‘Behd’ nest adapted by Porky Hefer for Xigera, drawing inspiratio­n from the local fish eagle Bottom, the Mangosteen Suite, with a ‘Techno Loafer’ chair by Xandre Kriel; a side table by Atang Tshikare; a coffee table by John Vogel; a rug by Coral & Hive; and art by Chris Soal
Above, the lodge’s main deck, with Andile Dyalvane‘s ‘Ugcado’, ‘Umbandavu’ and ‘Inkunz’emyama’ terracotta seats arranged around A Tale for a San Child chess set by Philippe Bousquet Left, the baobab-shaped tree house, inspired by an artwork by South African painter Jacobus Hendrik Pierneef Opposite, top, the reception deck, with a ‘Behd’ nest adapted by Porky Hefer for Xigera, drawing inspiratio­n from the local fish eagle Bottom, the Mangosteen Suite, with a ‘Techno Loafer’ chair by Xandre Kriel; a side table by Atang Tshikare; a coffee table by John Vogel; a rug by Coral & Hive; and art by Chris Soal
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