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6. Norman Teague

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‘Design should always satisfy a level of learning, human connection and interactio­n,’ says the designer, maker and educator Norman Teague, whose studio, set up in Chicago in 2018, focuses on connecting with local communitie­s and specialise­s in spatial design, furniture fabricatio­n, objects and custom millwork.

His 2020 exhibition ‘From Lawn Road to South Chicago’ at New York gallery R & Company featured pieces by Gerald Summers and Marcel Breuer, as well as Teague’s ‘Africana’ chairs and ‘Sinmi’ stools (pictured). The latter are based on Chicago city life, their rocking movement inspired by chilling out while leaning on a car or the backrest of a sofa. These pieces ‘speak to the African diaspora, its steadfastn­ess and resilience’.

Often more important to him than physical designs are local initiative­s such as Back Alley Jazz, an annual community festival he helped set up to pay tribute to the jazz alley jams that took place in Chicago’s South Shore in the 1960s and 1970s; and the Tilden incubator programme, which introduces design fundamenta­ls to high school students in a predominan­tly African American/latinx school district.

‘Teague designs collaborat­ively, thinks strategica­lly, and is committed to training Black and brown makers.’ says Gates. ‘His determinat­ion and design vocabulary continue to inspire me. I’m grateful to have this Chicago-based brother in my circle.’ normanteag­uedesignst­udios.com

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