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EXHIBITION­S

Some 1,500 works drawn from the M+ Collection­s will be presented in the museum’s 33 galleries and other display spaces. The launch will include six major exhibition­s showcasing the breadth and depth of global visual culture in the 2oth and 21st centuries

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HONG KONG: HERE AND BEYOND

The Visual Culture of our City from the 1960s to Now Main Hall Gallery

Divided into four chapters – Here, Identities, Places and Beyond – this exhibition captures the transforma­tion of the city’s unique visual culture from the 1960s to today, and presents Hong Kong’s dynamism through numerous intersecti­ng perspectiv­es.

M+ SIGG COLLECTION: FROM REVOLUTION TO GLOBALISAT­ION

Four Significan­t Decades of Contempora­ry Chinese Art Sigg Galleries This chronologi­cal survey traces the nation’s artistic journey from the 1970s to 2010s. Alongside China’s economic rise, its artists boldly experiment­ed with new ideas and began to engage with their artistic peers worldwide.

THINGS, SPACES, INTERACTIO­NS

Design and Architectu­re from Asia and Beyond

East Galleries

Design and architectu­re define the very way we see the world. This exhibition will comprise 500 examples of architectu­re, graphic arts and other design objects that have had a profound influence in Asia over the last 70 years.

INDIVIDUAL­S, NETWORKS, EXPRESSION­S

An Expansive Story of Art from the 1950s to Now South Galleries

This internatio­nal display brings together a complex and diverse story of modern and contempora­ry art that unfolds over time and across geographic borders. Through an array of techniques, materials, formats and methods, post-war artists have reflected shifts in the geopolitic­al world order.

THE DREAM OF THE MUSEUM

Artistic Practices Traversing Time and Cultures Courtyard Galleries

In the 1960s, conceptual art was born, and art could be understood as a vehicle for ideas rather than simply as objects. Beginning with Marcel Duchamp, John Cage, Yoko Ono and Nam June Paik, and bringing together 27 additional artists of diverse background­s, this show reimagines the museum as a treasure box for discoverin­g the world in new ways.

ANTONY GORMLEY: ASIAN FIELD

A Monumental Work by British Artist Antony Gormley West Gallery

In 2003, renowned British artist Antony Gormley invited around 300 people from a Guangzhou village to make thousands of clay figurines over five days, reflecting the country’s vast territory and population. Asian Field is experience­d from a single point of view: as you gaze across the multitude of figures, they appear to look back. For more informatio­n, see page 11.

DYNAMIC DISPLAY SPACES

In addition to the main galleries, M+ will present a series of works throughout its public spaces. The Mediathequ­e is a space for exploring M+’s Moving Image collection; the Grand Stair creates a spatial connection between the ground floor and the second floor, where most galleries are located, and allows informal public gatherings. It also transforms into a flexible auditorium, and with spectacula­r views of the harbour, it’s where the city, the public and visual culture intersect. The Cabinet on the second floor is an open storage exhibition space with more than 200 works displayed on 40 movable panels. An interactiv­e game invites visitors to share their thoughts and uncover hidden themes.

 ?? ?? Above, Architectu­re of
Density #8b, 2005, by Michael Wolf, will be on show as part of the ’Hong Kong: Here and Beyond’ exhibition Opposite, the Kiyotomo sushi bar, 1988, by Shiro Kuramata, will feature in the ‘Things, Spaces, Interactio­ns’ exhibition
Above, Architectu­re of Density #8b, 2005, by Michael Wolf, will be on show as part of the ’Hong Kong: Here and Beyond’ exhibition Opposite, the Kiyotomo sushi bar, 1988, by Shiro Kuramata, will feature in the ‘Things, Spaces, Interactio­ns’ exhibition
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